隨著中國各方面的快速發(fā)展,中國文學(xué)在國際舞臺上大放異彩。作為中國第一位諾貝爾文學(xué)獎的獲得者,莫言功不可沒。莫言作為一名優(yōu)秀多產(chǎn)的作家,創(chuàng)作了很多具有研究價值的文學(xué)作品�！短聪阈獭肥撬拈L篇代表作之一,主要講述了19世紀(jì)初發(fā)生在山東高密縣的一起殘酷的行刑事件。漢學(xué)家葛浩文翻譯的《檀香刑》譯本在2013年出版后,受到很多學(xué)者的關(guān)注和喜愛。很多學(xué)者對其進(jìn)行了不同角度的研究。本文試圖從順應(yīng)論的角度對《檀香刑》英譯本的譯者主體性進(jìn)行研究。順應(yīng)論主要包括四個研究維度,即語境順應(yīng)、結(jié)構(gòu)順應(yīng)、動態(tài)順應(yīng)和意識順應(yīng)程度。但是從這四個研究維度的關(guān)系來看,順應(yīng)的意識凸顯程度占據(jù)主導(dǎo)地位,它支配著其它三個角度�；蛘哒f順應(yīng)的意識性決定順應(yīng)的動態(tài)性,從而決定了結(jié)構(gòu)順應(yīng)和語境順應(yīng),因?yàn)榻Y(jié)構(gòu)順應(yīng)和語境順應(yīng)是動態(tài)順應(yīng)的內(nèi)容和具體表現(xiàn)形式。所以本文側(cè)重研究順應(yīng)論的具體表現(xiàn)形式:結(jié)構(gòu)順應(yīng)和語境順應(yīng)。順應(yīng)論指出:使用語言是不斷做出選擇的過程,而翻譯活動作為一種語言使用,譯者在考慮諸多因素后在翻譯活動中也要不斷做出選擇,這種選擇既體現(xiàn)了譯者的主動性和創(chuàng)造性,又體現(xiàn)譯者對目標(biāo)語和目標(biāo)語讀者的順應(yīng)。由此也為文學(xué)翻譯的研究提供了不同的...

【文章頁數(shù)】：77 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
ABSTRACT
Chapter1 Introduction
    1.1 Research Background
    1.2 Purpose and Significance of the Research
    1.3 Structure of the Thesis
Chapter2 Literature Review
    2.1 Introduction to Mo Yan and the Chinese Version of Sandalwood Death
        2.1.1 Introduction to Mo Yan
        2.1.2 Introduction to the Chinese Version of Sandalwood Death
    2.2 Introduction to Goldblatt and the English Version of Sandalwood Death
        2.2.1 Introduction to Goldblatt
        2.2.2 Previous Studies of the English Version of Sandalwood Death
    2.3 Previous Studies of Adaptation Theory
    2.4 Previous Studies of the Translator’s Subjectivity
    2.5 Summary
Chapter3 Theoretical Framework and Methodology
    3.1 Verschueren’s Adaptation Theory
        3.1.1 Brief Introduction to Adaptation Theory
        3.1.2 Making Choices
        3.1.3 Three Properties of Adaptation Theory
    3.2 Four Angles of Investigation
        3.2.1 Contextual Correlates of Adaptability
        3.2.2 Structural Objects of Adaptability
        3.2.3 Dynamics of Adaptability
        3.2.4 Salience of the Adaptation Processes
    3.3 Translator’s Subjectivity
        3.3.1 Brief Introduction
        3.3.2 Definition of Subjectivity and the Translator’s Subjectivity
        3.3.3 The Purpose and Manifestation of Translator’s Subjectivity
    3.4 Methodology
        3.4.1 Research Object
        3.4.2 Data Collection
        3.4.3 Classification Criteria
        3.4.4 Research Methods
        3.4.5 Research Questions
Chapter4 Translator’s Subjectivity in the English Version of Sandalwood Death
    4.1 Translator’s Subjectivity Achieved in Maoqiang Opera
        4.1.1 Adaptation of Rhythm in Maoqiang Opera
        4.1.2 Adaptation of Word in Maowiang Opera
    4.2 Translator’s Subjectivity Achieved in Cultural Environment
        4.2.1 Adaptation in Idioms
        4.2.2 Adaptation in Religious Beliefs
        4.2.3 Adaptation in Social Customs
        4.2.4 Adaptation in Ideology
    4.3 Summary
Chapter5 Conclusions
    5.1 Major Findings
    5.2 Limitations of the Present Research
    5.3 Suggestions for Further Studies
Acknowledgements
References
Research Results Obtained During the Study for Master Degree



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