Joyce’s transition in the Portrait can be seen in three points: his treatment of time problem, the representation of consciousness and the innovation of literary techniques. However, the first two points can be seen as the thematic matters; while literary techniques are the method to represent these themes. Thus, to study on what area does Joyce accomplish his transition, this thesis focus on the examination of literary techniques.In Harry Levin’s research, he sees the Portrait as a Kunstlerroma... 

【文章來源】：廣東外語外貿(mào)大學(xué)廣東省

【文章頁數(shù)】：94 頁

【學(xué)位級別】：碩士

【文章目錄】：
1. Introduction
    1.1 The Importance of the Portrait
    1.2 Thesis and Layout of the Paper
    1.3 The Biographical Background of Joyce
    1.4 The Literary Influence on Joyce
2. Literature Review
    2.1 Naturalism
    2.2 Modernism
        2.2.1 Stream of Consciousness
        2.2.2 Symbolism
        2.2.3 Impressionism
    2.3 Critique of the Portrait
    2.4 Summary
3. Naturalist Features
    3.1 Reportorial Description
    3.2 Two Tensions
    3.3 The Dealing with Sexual Subjects
    3.4 The ”Shock-Appeal” Method
    3.5 Other Naturalist Characteristics
    3.6 Summary
4. Stream of Consciousness Features
    4.1 Epiphany
        4.1.1 Epiphany and Bergsonian Intuition
        4.1.2 Epiphanic Techniques in the Portrait
        4.1.3 Two Epiphanic Modes and Their Alternation in the Portrait
    4.2 The Stream of Consciousness Technique
        4.2.1 Interior Monologue
        4.2.2 Free Association of Ideas
        4.2.3 Space-Time Montage
    4.3 Summary
5. Symbolist Features
    5.1 Symbols
    5.2 The Affinity with Music
    5.3 The Decadent Spirit
    5.4 Summary
6. Impressionist Features
    6.1 Joyce's Type of Impressionism
    6.2 Language Features
    6.3 The Colour and Light Effects
    6.4 The Description of Sensations
    6.5 The Fragmented Narrative
    6.6 Summary
Conclusion
Works Cited



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