【摘要】：正一、風(fēng)景學(xué)與柄谷行人的風(fēng)景理論很高興孫曉忠老師給我這個(gè)機(jī)會(huì)來(lái)到貴校與大家交流。我選擇的是一個(gè)與文學(xué)、藝術(shù)史以及文化研究都略有點(diǎn)關(guān)系的題目,談?wù)動(dòng)暨_(dá)夫與中國(guó)現(xiàn)代風(fēng)景的發(fā)現(xiàn)問題。大家知道,風(fēng)景學(xué)是近些年來(lái)學(xué)界的一門顯學(xué),因?yàn)橛锌鐚W(xué)科性質(zhì),所以似乎與人文藝術(shù)和社會(huì)科學(xué)哪個(gè)學(xué)科都有關(guān)。也許大家從藝術(shù)史以及文藝學(xué)的角度已經(jīng)非常了解這個(gè)風(fēng)景學(xué)的學(xué)科領(lǐng)域。這些年至少我們中國(guó)
[Abstract]:I am glad that Mr. Sun Xiaozhong gave me this opportunity to come to your school to communicate with you. I chose a topic that has something to do with literature, art history and cultural research. I want to talk about Yu Dafu and the discovery of modern Chinese scenery. As we all know, landscape is a prominent subject in academic circles in recent years. Because of its interdisciplinary nature, it seems to have something to do with both humanities and social sciences. Perhaps we have a good understanding of this subject field of landscape science from the perspective of art history and literature and art. All these years, at least we in China.
【作者單位】： 北京大學(xué)中文系;
【分類號(hào)】：I0-05
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本文編號(hào)：2515633