【摘要】：箋紙是集詩(shī)書畫印于一身的藝術(shù)綜合體,也是文人之間進(jìn)行交流的物質(zhì)載體。本文以箋為研究對(duì)象,在第一章中以魏晉南北朝、隋唐五代、宋元、明清、民國(guó)及現(xiàn)當(dāng)代為主要脈絡(luò),梳理了箋的產(chǎn)生及發(fā)展,同時(shí)從物質(zhì)文化、精神文化和行為文化三個(gè)方面對(duì)箋紙的文化意蘊(yùn)分別進(jìn)行了闡述。當(dāng)文人以游目游心的方式體察品味自然后進(jìn)行箋紙的創(chuàng)作,箋紙也因其取材于自然描繪自然而更顯得天真純樸,這是第二章要論述的主要內(nèi)容。箋紙作為藝術(shù)品,具有以美感形式教育、陶冶人的心靈的美譽(yù)功能,使箋文化呈現(xiàn)出強(qiáng)烈的倫理型審美趨向,表現(xiàn)出善美相宜的文化特征,在第三章中通過箋紙?jiān)诜饨ㄉ鐣?huì)中兩種不同的流通方式,即溝通上下階層的賜箋方式和用以平行交流的贈(zèng)箋方式,來分別體現(xiàn)箋紙所承載的以仁治天下的社會(huì)理想與以禮相待的行為規(guī)范,促使人們對(duì)箋的認(rèn)知從直觀的視覺形態(tài)的審美上升到抽象的人格精神的品悟與理想的社會(huì)境界的認(rèn)同。在箋紙的使用過程中,其實(shí)用功能不斷淡化,由物質(zhì)而精神。第四章闡釋了在制箋品箋過程中文人以愉悅身心、澄懷心靈,形成淡泊寧?kù)o的人生態(tài)度和曠達(dá)閑適的生活方式,從而消解了人與自然對(duì)立的二元關(guān)系,真正融入自然大流,臻至天人合一的精神境界。但是,隨著經(jīng)濟(jì)科技的迅猛發(fā)展,箋紙面臨著瀕臨滅絕的地步。不過可喜的是,一些仁人志士和文化組織懷著文化先覺意識(shí)致力于對(duì)傳統(tǒng)文化的收集整理,并不斷推陳出新,發(fā)揚(yáng)光大,以維護(hù)我們自身的文化命脈,保持和發(fā)揚(yáng)民族特性和文化個(gè)性。
[Abstract]:Note paper is an art complex printed in poetry, books and paintings, and it is also a material carrier for communication between literati. In the first chapter, taking the Wei, Jin, Southern and Northern dynasties, Sui, Tang and five dynasties, Song and Yuan dynasties, Ming and Qing dynasties, the Republic of China and the modern and contemporary as the main context, this paper combs the emergence and development of the note, and at the same time, from the material culture, The cultural implication of paper and paper is expounded from three aspects of spiritual culture and behavioral culture. When the literati experience and savor nature in the way of visiting the eyes and hearts, the paper is more naive and simple because it is based on the natural description of nature, which is the main content to be discussed in the second chapter. As a work of art, note paper has the function of educating people in the form of aesthetic feeling and edifying the reputation of people's mind, so that the paper culture presents a strong ethical aesthetic trend and shows the cultural characteristics of good beauty and appropriateness. In the third chapter, through two different circulation modes of note paper in feudal society, that is, the way of communication between the upper and lower strata and the way of parallel communication, To embody the social ideal of ruling the world with benevolence and the code of behavior of treating each other with etiquette, respectively, and to promote people's cognition from the aesthetic of intuitive visual form to the understanding of abstract personality spirit and the identity of the ideal social realm. In the use of paper, its practical function is constantly desalinated, from the material to the spirit. The fourth chapter explains that in the process of making notes, the literati can enjoy their body and mind, clear their hearts, form a indifferent and quiet attitude to life and a relaxed and leisurely way of life, thus dispelling the dual relationship between man and nature and truly integrating into the great flow of nature. To reach the spiritual realm of the unity of heaven and man. However, with the rapid development of economy and science and technology, the paper is on the verge of extinction. It is gratifying, however, that some benevolent people and cultural organizations are committed to the collection and collation of traditional culture with a sense of cultural foresight, and continue to innovate and carry forward new ideas in order to safeguard our own cultural lifeline. Maintain and carry forward national identity and cultural personality.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I01

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本文編號(hào)：2495027