【摘要】：身體表達(dá)素來是藝術(shù)表現(xiàn)的主要內(nèi)容和方式,繪畫、雕塑、戲劇、攝影等無不如是。然而,身體表達(dá)在不同文化傳統(tǒng)中卻呈現(xiàn)巨大的差異,在西方的藝術(shù)傳統(tǒng)中,裸體不僅正常,而且正統(tǒng);在中國(guó)卻是"肉身缺席、缺場(chǎng)"。儀式性的身體表達(dá)不僅是儀式的主體,也是社會(huì)表述最為完整的認(rèn)同和記憶形制,有些藝術(shù)類型直接來自于儀式,比如戲劇即源自于酒神祭祀儀式。不同語境中身體感受的藝術(shù)呈現(xiàn),遠(yuǎn)遠(yuǎn)超越了藝術(shù)本身的范疇,需要在更大的背景中求得解答。
[Abstract]:Physical expression is the main content and way of artistic expression, painting, sculpture, drama, photography and so on. However, there are great differences in body expression in different cultural traditions. In western art traditions, nudity is not only normal, but also orthodox; in China, it is "physical absence and absence". Ceremonial body expression is not only the main body of rituals, but also the most complete form of recognition and memory expressed by society. Some artistic types come directly from rituals, such as drama, that is, the ritual of the Dionysus. The artistic presentation of physical feelings in different contexts is far beyond the category of art itself and needs to be answered in a larger context.
【作者單位】： 四川美術(shù)學(xué)院中國(guó)藝術(shù)遺產(chǎn)研究中心;廈門大學(xué);
【分類號(hào)】：J05
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本文編號(hào)：2460700