傳統(tǒng)器具的生活審美顯化研究
發(fā)布時間：2019-01-07 06:45
【摘要】：后工業(yè)時代下,人們對于科技的依賴與“迷信化”不斷增強(qiáng),對于其導(dǎo)致的不可逆分工和碎片式的機(jī)械生活模式,使得人喪失了成為“人”的權(quán)利,最終成為某項技術(shù)的奴隸。在利益的催動下,人們對于信仰和人文關(guān)懷的缺失,使得工作也變成為重復(fù)、枯燥,進(jìn)而成獲取謀生的手段,面對其帶來的后果和副作用,大家卻視而不見,麻木不仁。面對種種現(xiàn)象和情形,回歸傳統(tǒng)審美生活,用器物的審美趣味喚醒對于現(xiàn)代生活的重新思考,找回內(nèi)心的安定與信仰。優(yōu)秀的傳統(tǒng)器物文化在時代的變遷和推移中一直扮演著重要的角色,它以器載道,用心與手間的對話,詮釋著人類的精神思想和人文形態(tài),在中國幾千年的燦爛文化里,器物作為中華傳統(tǒng)文化的重要的組成部分之一,是中國文明的結(jié)晶和瑰寶。器物的發(fā)展變遷實際也是一個時代更替的展現(xiàn),也是其政治、經(jīng)濟(jì)、歷史、文化的名片,是社會生活的重要呈現(xiàn)。隨著人們物質(zhì)水平及生活要求的提升,器具中所扮演的審美顯化也越來越受到人們的重視和關(guān)注,人們不僅僅滿足于器物所給予的愉悅,更多開始注重內(nèi)在心靈文化根基的培植,而器物卻是生活中不可或缺的東西,在所使用的同時,能給予人更多心靈的啟悟,或許才不會讓人急于未來的恐慌,社會的種種問題與不和諧也會迎刃而解。近代以來,人們過多的接觸西方的新奇事物與器物,而對于自身傳統(tǒng)的忽視也隨之顯現(xiàn)出來,人們對于傳統(tǒng)的拋棄與不解,讓自身越走越遠(yuǎn)。而隨著時間的推移,人們受了西方式的影響后,發(fā)覺問題與弊病層出不窮,開始反思間,才覺察還需回到傳統(tǒng)中去。傳統(tǒng)器具所承載的制度、精神思想、智慧觀念是無法被超越的,幾千年的積淀中,唯有中國器具依舊在世界舞臺上獨(dú)立,通過對傳統(tǒng)器具中的審美生活分析,揭示出其古老智慧在這塊土地上的神奇審美顯化作用。這也是本文所要研究的重點與核心。緒論中著重強(qiáng)調(diào)了所研究對象現(xiàn)實意義及方法,并結(jié)合當(dāng)下的生活狀況反映出所要研究的審美特性。第二章著重闡釋其定義、器具和生活審美顯化間的關(guān)系,以及不同時期中器具的歷史脈絡(luò)。第三章則論述器具中生活審美顯化的特征。第四章具體的舉例說明器具的生活審美顯化。第五章是對其思考與認(rèn)識。本文通過此五章的論述,希望可以為生活審美的顯化提供一些啟發(fā)式思考與認(rèn)識。
[Abstract]:In the post-industrial era, people's dependence on science and technology and "superstition" are increasing, and the irreversible division of labor and the fragmented mechanical life mode caused by it make people lose the right to become "human" and eventually become slaves to a certain technology. Under the impulsion of interest, people's lack of faith and humanistic concern makes work become repetitive, boring, and then become a means of earning a living. In the face of its consequences and side effects, people turn a blind eye to it and become insensitive. In the face of all kinds of phenomena and situations, we should return to the traditional aesthetic life, awaken the rethinking of modern life with the aesthetic taste of objects, and find the inner stability and faith. The excellent traditional artifacts culture has always played an important role in the changes and the passage of the times. It carries the Tao by the instrument, the dialogue between the heart and the hand, interprets the human spirit thought and the humanity form, in China's splendid culture for thousands of years. As an important part of Chinese traditional culture, artifacts are the crystallization and treasure of Chinese civilization. The development and vicissitude of utensils is also a manifestation of the change of the times, as well as a business card of its politics, economy, history and culture, and an important presentation of social life. With the improvement of people's material level and living requirements, the aesthetic manifestation played in the utensils has been paid more and more attention to, and people are not only satisfied with the pleasure given by the objects. More people begin to pay attention to the cultivation of the inner spiritual and cultural foundation, and the objects are indispensable in life. When they are used, they can give people more spiritual enlightenment, so that they may not make people anxious for fear in the future. Social problems and disharmony will also be solved. Since modern times, people have been exposed to western novelty and utensils too much, and the neglect of their own tradition also appears, people abandon and do not understand the tradition, let themselves go further and further. With the passage of time, people have been affected by the western way, and found that problems and defects emerge one after another, and began to reflect on the need to return to the tradition. The institutions, spiritual thoughts, and wisdom concepts carried by traditional appliances cannot be transcended. In the accumulation of thousands of years, only Chinese appliances are still independent on the world stage, and through the analysis of aesthetic life in traditional appliances, Reveals its ancient wisdom in this land the magic aesthetic manifestation. This is also the focus and core of this paper. The preface emphasizes the realistic significance and method of the object, and reflects the aesthetic characteristics of the study combined with the current living conditions. The second chapter focuses on its definition, the relationship between utensils and aesthetic manifestation of life, and the historical context of utensils in different periods. The third chapter discusses the characteristics of aesthetic manifestation of life in utensils. The fourth chapter illustrates the life aesthetic manifestation of the appliance with concrete examples. The fifth chapter is about its thinking and understanding. Through the discussion of these five chapters, this paper hopes to provide some heuristic thinking and understanding for the manifestation of life aesthetics.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J01
本文編號：2403302
[Abstract]:In the post-industrial era, people's dependence on science and technology and "superstition" are increasing, and the irreversible division of labor and the fragmented mechanical life mode caused by it make people lose the right to become "human" and eventually become slaves to a certain technology. Under the impulsion of interest, people's lack of faith and humanistic concern makes work become repetitive, boring, and then become a means of earning a living. In the face of its consequences and side effects, people turn a blind eye to it and become insensitive. In the face of all kinds of phenomena and situations, we should return to the traditional aesthetic life, awaken the rethinking of modern life with the aesthetic taste of objects, and find the inner stability and faith. The excellent traditional artifacts culture has always played an important role in the changes and the passage of the times. It carries the Tao by the instrument, the dialogue between the heart and the hand, interprets the human spirit thought and the humanity form, in China's splendid culture for thousands of years. As an important part of Chinese traditional culture, artifacts are the crystallization and treasure of Chinese civilization. The development and vicissitude of utensils is also a manifestation of the change of the times, as well as a business card of its politics, economy, history and culture, and an important presentation of social life. With the improvement of people's material level and living requirements, the aesthetic manifestation played in the utensils has been paid more and more attention to, and people are not only satisfied with the pleasure given by the objects. More people begin to pay attention to the cultivation of the inner spiritual and cultural foundation, and the objects are indispensable in life. When they are used, they can give people more spiritual enlightenment, so that they may not make people anxious for fear in the future. Social problems and disharmony will also be solved. Since modern times, people have been exposed to western novelty and utensils too much, and the neglect of their own tradition also appears, people abandon and do not understand the tradition, let themselves go further and further. With the passage of time, people have been affected by the western way, and found that problems and defects emerge one after another, and began to reflect on the need to return to the tradition. The institutions, spiritual thoughts, and wisdom concepts carried by traditional appliances cannot be transcended. In the accumulation of thousands of years, only Chinese appliances are still independent on the world stage, and through the analysis of aesthetic life in traditional appliances, Reveals its ancient wisdom in this land the magic aesthetic manifestation. This is also the focus and core of this paper. The preface emphasizes the realistic significance and method of the object, and reflects the aesthetic characteristics of the study combined with the current living conditions. The second chapter focuses on its definition, the relationship between utensils and aesthetic manifestation of life, and the historical context of utensils in different periods. The third chapter discusses the characteristics of aesthetic manifestation of life in utensils. The fourth chapter illustrates the life aesthetic manifestation of the appliance with concrete examples. The fifth chapter is about its thinking and understanding. Through the discussion of these five chapters, this paper hopes to provide some heuristic thinking and understanding for the manifestation of life aesthetics.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J01
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