【摘要】：當(dāng)代中國(guó)文藝?yán)碚撜幱诎l(fā)展和建設(shè)的關(guān)鍵階段,不過在對(duì)西方文論的接受、理解和運(yùn)用過程中,理論的效價(jià)問題日益凸顯。在西方文藝?yán)碚摰纳a(chǎn)和消費(fèi)中,資本邏輯和符號(hào)消費(fèi)成為主導(dǎo)原則;但它們遠(yuǎn)離了馬克思主義文藝?yán)碚摰娜吮居^念,體現(xiàn)為一種"見物不見人"的"欲望—生產(chǎn)"�；氐阶髌�,回到人本身,這是中國(guó)文論話語建設(shè)的根本原則,也是文藝?yán)碚撟陨淼谋菊嫘詢r(jià)值訴求。
[Abstract]:Contemporary Chinese literature and art theory is in the key stage of development and construction, but in the process of accepting, understanding and applying western literary theory, the problem of theory titer becomes more and more prominent. In the production and consumption of western literature and art theory, capital logic and symbol consumption become the dominant principle, but they are far from the humanistic concept of Marxist literary theory, and are embodied as "lust and production" of "seeing things and not seeing people". It is the fundamental principle of the discourse construction of Chinese literary theory and the pursuit of the true value of literary theory itself to return to the works and to the people themselves.
【作者單位】： 山東大學(xué)(威海)文化傳播學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目的階段性成果,項(xiàng)目編號(hào):14BZX125
【分類號(hào)】：I0
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本文編號(hào)：2343111