【摘要】：公共藝術(shù)作為當(dāng)今城市中一種日趨重要的文化形式,起著愈加彰顯的文化載體的作用,并成為城市的符號與象征。城市是公共藝術(shù)的載體,公共藝術(shù)屬于城市,它隨城市而生,為城市而存。沒有文化的城市是沒有靈魂的城市,世界上的城市千差萬別,根本的差別就在于城市文化的不同。一座城市中有沒有富有創(chuàng)意與代表性的公共藝術(shù)和公眾參加的相對寬松的藝術(shù)氛圍的存在;有沒有適當(dāng)比例的充盈著藝術(shù)氣息的文化交流與審美及休閑娛樂的公共空間,已經(jīng)成為衡量一個城市文化品質(zhì)高低的重要標(biāo)準(zhǔn)。伴隨著時代的發(fā)展,公共藝術(shù)的發(fā)展也是與時俱進(jìn)的,新媒體藝術(shù)的介入,為公共藝術(shù)的發(fā)展打開了一個全新的局面。 本文從公共藝術(shù)的表現(xiàn)形式、公共藝術(shù)與城市的關(guān)系以及新媒體藝術(shù)介入后公共藝術(shù)的新的表現(xiàn)形式以及新發(fā)展——現(xiàn)代都市文化魅力的提升這幾個方面進(jìn)行詳盡的闡述與分析。力圖通過深入詳盡的理論的闡述與個例的分析,展示出新媒體藝術(shù)介入后公共藝術(shù)的新的表現(xiàn)形式與新發(fā)展,并且著重論述了新媒體藝術(shù)在公共藝術(shù)中的運(yùn)用與新媒體藝術(shù)介入后公共藝術(shù)在城市信息化、公共文化發(fā)展與城市性格展現(xiàn)以及都市文化內(nèi)涵與理念的延伸上所發(fā)揮的不可替代的作用。 本文認(rèn)為城市公共藝術(shù)的發(fā)展已經(jīng)成為城市發(fā)展重要的一部分,尤其在新媒體藝術(shù)介入后,其多媒融合與實(shí)時交互的傳播特征賦予公共藝術(shù)新的表現(xiàn)形式、參與體驗(yàn)與審美特征。在數(shù)字時代下,新媒體公共藝術(shù)的發(fā)展契合了當(dāng)今城市文化的發(fā)展的需求,我們的城市不能建成“博物館”,要讓建筑活起來。新媒體公共藝術(shù)在以彰顯文化特質(zhì)、凝聚城市形象、凸顯城市性格、承載公眾理想為宗旨的城市發(fā)展中,是具有廣闊的發(fā)展前景的。
[Abstract]:Public art, as an increasingly important cultural form in cities, plays an increasingly prominent role as a cultural carrier and becomes a symbol and symbol of a city. City is the carrier of public art, public art belongs to the city, it is born with the city and exists for the city. The city without culture is the city without soul, the city in the world is different, the fundamental difference lies in the difference of the city culture. There is no creative and representative public art in a city and a relatively relaxed artistic atmosphere for public participation; Whether there is a proper proportion of cultural exchange, aesthetic appreciation and leisure and entertainment, which is filled with artistic atmosphere, has become an important standard to measure the cultural quality of a city. With the development of the times, the development of public art also keeps pace with the times. The intervention of new media art opens a new situation for the development of public art. This article from the public art expression form, The relationship between public art and city, the new form of public art after the new media art intervention, and the new development, the promotion of the charm of modern urban culture, are elaborated and analyzed in detail. Trying to show the new form and development of public art after the new media art intervention through the thorough elaboration of the theory and the analysis of individual examples, and try to show the new form of expression and the new development of the public art after the intervention of the new media art. It also discusses the application of new media art in public art and the informatization of public art in city after the new media art intervention. The development of public culture, the display of urban character and the extension of the connotation and concept of urban culture play an irreplaceable role. This paper argues that the development of urban public art has become an important part of urban development, especially after the new media art intervention, its multi-media integration and real-time interactive communication characteristics give public art a new form of expression. Participation experience and aesthetic characteristics. In the digital age, the development of new media public art accords with the needs of the development of urban culture. Our city can not be built into a "museum", we should let the building live. The public art of new media has a broad prospect in the development of a city with the purpose of showing cultural characteristics, condensing the image of the city, highlighting the character of the city and carrying the public ideal.
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J0

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 王娟;劉子建;;傳播新視角——新媒體藝術(shù)的溝通和發(fā)展[J];電影評介;2009年19期

2 王琰;余秀才;;多元與重構(gòu) 論新媒體短片的影像傳播[J];電影藝術(shù);2008年01期

3 徐紅;;數(shù)字影像的“虛擬”與“真實(shí)”[J];觀察與思考;2008年12期

4 宋薇;;公共藝術(shù)與城市文化[J];文藝評論;2006年06期

，

本文編號：2336379