【摘要】：本課題是從“時(shí)間”的角度重新看待錄像與錄像裝置這兩種藝術(shù)形式的作品,梳理出不同藝術(shù)作品所具有的時(shí)間邏輯,以“時(shí)間類型”對(duì)錄像和錄像裝置作品進(jìn)行分類,探究錄像以裝置的形式呈現(xiàn)所具有的“時(shí)間性”差異,以及當(dāng)錄像裝置這種形式在以顯示屏、投影呈現(xiàn)給觀眾時(shí)作品的“時(shí)間性”是否有新的延展?本文將以“實(shí)驗(yàn)電影到錄像再到錄像裝置”這一發(fā)展過程為線索,并結(jié)合具體案例來(lái)論述“時(shí)間性”在此過程中是如何變化的,尤其是當(dāng)錄像以裝置的形式呈現(xiàn)之后,是如何編織出更為復(fù)雜精致的時(shí)間網(wǎng)格,以創(chuàng)造出不同時(shí)間的可能性。
[Abstract]:This subject is to review the works of video recording and video recording device from the angle of "time", sort out the time logic of different art works, and classify the video and video device works by "time type". Explore the "temporal" differences of video in the form of a device, and whether there is a new extension of the "timeliness" of the work when the device is presented as a display screen, projected to the viewer? This paper will take the development process of "experimental film to video and then video device" as the clue, and combine the concrete case to discuss how the "timeliness" changes in this process, especially when the video is presented in the form of device. Is how to weave more sophisticated time grids to create possibilities for different times.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J5

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