【摘要】：先例現(xiàn)象理論研究起源于先例文本的研究,俄羅斯語言學(xué)家(?)于1986年提出先例文本的概念。在當(dāng)前語言學(xué)界提出"人類中心范式"構(gòu)架及力求揭示語言與文化間相互關(guān)系和作用的任務(wù)下,我們不難發(fā)現(xiàn),先例現(xiàn)象仍是語言學(xué)領(lǐng)域關(guān)注的熱點問題之一。蘇聯(lián)解體后,嚴肅文學(xué)逐漸被娛樂性書刊及各種偵探、言情和兇殺小說所取代。此時出現(xiàn)了嚴肅文學(xué)的唯一暢銷作家——佩列文。在他的作品中會經(jīng)常見到陀思妥耶夫斯基的作品名、主人翁,各種大眾熟知的廣告詞、品牌名稱,蘇聯(lián)歌曲,歷史事件名稱,東西方神話傳說。這正是作品的顯著特點之一——使用先例現(xiàn)象。他巧妙地借助先例現(xiàn)象的信息傳輸功能,讓讀者反復(fù)思考這些先例現(xiàn)象所蘊藏的文化內(nèi)涵。通過先例現(xiàn)象傳達作品的主旨和作者的創(chuàng)作意圖。而國內(nèi)先例現(xiàn)象的研究多集中于大眾傳媒領(lǐng)域,我們首次將先例現(xiàn)象的來源作為研究方向來分析佩列文的作品。本文主要介紹了先例現(xiàn)象這一理論依據(jù)的發(fā)展?fàn)顩r,將《百事一代》、《蘇聯(lián)太守傳》中的先例現(xiàn)象羅列出來并追其根源,經(jīng)過統(tǒng)計作者發(fā)現(xiàn)這兩部作品中的先例現(xiàn)象多來源于文學(xué)文本、神話傳說、歷史事件、品牌、諺語俗語、電影、音樂和地名。另外,為了理解佩列文使用先例現(xiàn)象的意義,我們對多處先例現(xiàn)象進行深入分析,總結(jié)出四個較為重要的功能:揭示后現(xiàn)代主義作品中荒誕虛無的主題;創(chuàng)建黑色幽默并達到諷刺效果;暗示情節(jié)發(fā)展;描述主人翁的性格特征及內(nèi)心世界。通過對佩列文代表作《百事一代》及《蘇聯(lián)太守傳》中的先例現(xiàn)象來源分析,旨在幫助讀者更加深入地了解作品所要表達的內(nèi)容。同時總結(jié)各個先例現(xiàn)象的顯性及隱形含義并概括出先例現(xiàn)象在文學(xué)文本,尤其是后現(xiàn)代主義文學(xué)作品中發(fā)揮的功能。希望借助此文幫助讀者更快地理解佩列文的作品并為以后研究他的作品提供了一個新思路。
[Abstract]:The theoretical study of precedent phenomenon originates from the study of precedent text, Russian linguist (?) The concept of precedent text was introduced in 1986. Under the task of putting forward the framework of "human centered paradigm" and trying to reveal the relationship and function between language and culture, it is not difficult to find that the phenomenon of precedent is still one of the hot issues in the field of linguistics. After the collapse of the Soviet Union, serious literature was gradually replaced by entertaining books and various detective, romance and murder novels. The only best-selling writer of serious literature, Peleven, appeared at this time. In his works Dostoevsky's works name, master, all kinds of well-known advertising words, brand names, Soviet songs, historical events names, Eastern and Western myths and legends. This is one of the striking features of the work-the use of precedent. With the help of the information transmission function of precedents, he makes readers think about the cultural connotations of these precedents. The main idea of the work and the author's creative intention are communicated through the phenomenon of precedent. The research of precedent phenomenon in China is mainly focused on the mass media field. For the first time, we take the source of precedent phenomenon as the research direction to analyze Pellewen's works. This paper mainly introduces the development of precedent phenomenon, and lists the precedent phenomenon in "Pepsi Generation" and "Tai-Shou Biography" in the Soviet Union. The authors find that the precedents in these two works come from literary texts, myths and legends, historical events, brands, proverbs, movies, music and place names. In addition, in order to understand the significance of the use of precedent in Pellesian, we analyze several precedents in depth, and summarize four important functions: revealing the theme of absurdity in postmodernist works; Create black humor and satire; hint plot development; describe the character and inner world of the master. By analyzing the source of precedent phenomenon in Pelewen's masterpiece Pepsi Generation and Tai-Shou Biography of the Soviet Union, the purpose of this paper is to help readers to understand more deeply the content of the works. At the same time, it summarizes the explicit and implicit meanings of precedent phenomena and summarizes the functions of precedent phenomena in literary texts, especially in postmodernist literary works. It is hoped that this article will help readers to understand Pellewen's works more quickly and provide a new way to study his works in the future.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：H35;I046

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本文編號：2303324