唐君毅中國藝術精神觀研究
發(fā)布時間：2018-10-31 12:40
【摘要】：唐君毅作為現(xiàn)代新儒家的重鎮(zhèn)之一,他的哲學思想向來是學者們探討的重點,他關于中國藝術精神的闡釋亦不容忽視。在西學東漸的歷史語境下,面對民族文化危機,唐君毅從中西文化特征對比入手,挖掘中國傳統(tǒng)文化的價值。中國藝術作為中國文化的一個重要維度,自然也是唐君毅所關注的重點。論文分析唐君毅中國藝術精神觀產(chǎn)生的國內(nèi)外背景、思想基礎及其“虛實相涵”、“游”的特征,探析唐君毅中國藝術精神與文學精神的關系,并且將之與徐復觀對中國藝術精神的分析進行對比,對唐君毅的中國藝術精神觀進行一個較為全面的論述,進而發(fā)掘其背后的文化意蘊。唐君毅對中國藝術精神的挖掘,不僅為解決當時的文化危機指明了中西文化相互借鑒的新方向,也為中國傳統(tǒng)文化的現(xiàn)代性轉(zhuǎn)換提供了新思路,這對當今中國文化乃至世界文化的融合與發(fā)展具有指導性意義。本文除緒論外共分四部分。論文第一章對唐君毅的生平和著作進行概述,重點對唐君毅的中國藝術精神觀的國內(nèi)外背景進行說明。從國外方面來看,西方文化浪潮對中國文化的沖擊,造成中國文化危機;從國內(nèi)方面來看,人們對傳統(tǒng)文化失去信心,紛紛倒戈。唐君毅提出返本開新的主張,闡揚中國傳統(tǒng)歷史文化的精神價值,提出當時文化危機的應對之策。第二章分主要從唐君毅對中西文化特征的對比入手,探析中西對比張力下他對中國藝術精神的闡釋,突出中國藝術精神的獨特之處,進而肯定中國文化精神的價值。唐君毅的心性觀、感通觀以及關于藝術中時空觀的理解,都為他分析中國藝術精神奠定了思想基礎。他認為中國藝術精神顯現(xiàn)出了“虛實相涵”、“游”的特征,且這些特征在中國文學中也有體現(xiàn),故他進一步分析了中國藝術精神和中國文學精神的相通之處。第三章將唐君毅的中國藝術精神與徐復觀的中國藝術精神進行對比,從對中西文化的引用、對道德和藝術關系論證以及對儒道兩家藝術精神闡述的不同這三個方面入手,從而凸顯唐君毅中西對比視角下的中國藝術精神的獨特之處。唐君毅對中國藝術精神的闡釋是從宏觀處著眼,以比較中西文化特別是藝術方面的不同為前提的;他把握到傳統(tǒng)文化中的“心”和“性情”,并以此為理論出發(fā)點,去發(fā)掘中國藝術精神中道德和藝術的關系;在當時社會各界人士反對甚至批判儒家文化的背景下,唐君毅重新闡釋儒家藝術精神,并給予其很高的評價,以期提高儒家文化的地位。第四章對唐君毅中國藝術精神進行反思。他提出以平等的眼光看待中西文化,在發(fā)揚傳統(tǒng)文化精神的基礎上,吸納西方文化的精華,為當時的民族文化危機提供解決之法,為傳統(tǒng)文化的現(xiàn)代性轉(zhuǎn)換提供思路。這在文化交流、碰撞的今天仍發(fā)揮著重要作用。但其思想也存在忽視審美純粹性和主觀唯心主義的缺憾。
[Abstract]:Tang Junyi, as one of the important places of modern Neo-Confucianism, his philosophical thought has always been the focus of the scholars, and his interpretation of the spirit of Chinese art should not be ignored. Facing the crisis of national culture, Tang Junyi began to explore the value of Chinese traditional culture from the comparison of Chinese and Western cultural characteristics in the historical context of western learning to the east. As an important dimension of Chinese culture, Chinese art is also the focus of Tang Junyi's attention. This paper analyzes the background of Tang Junyi's concept of Chinese artistic spirit at home and abroad, the ideological basis and the characteristics of "the void and the reality" and the "tour", and probes into the relationship between Tang Junyi's Chinese artistic spirit and the literary spirit. Compared with Xu Fuguan's analysis of Chinese artistic spirit, Tang Junyi's view of Chinese artistic spirit is discussed comprehensively and the cultural implication behind it is explored. Tang Junyi's excavation of the spirit of Chinese art not only pointed out a new direction for the Chinese and Western cultures to learn from each other, but also provided a new way of thinking for the modern transformation of Chinese traditional culture. This is of guiding significance to the integration and development of Chinese culture and even world culture. In addition to the introduction, this paper is divided into four parts. The first chapter gives an overview of Tang Junyi's life and works, focusing on the domestic and foreign background of Tang Junyi's view of Chinese artistic spirit. From the foreign point of view, the impact of the western culture on Chinese culture has caused a crisis of Chinese culture; from the domestic point of view, people have lost confidence in the traditional culture and defected one after another. Tang Junyi put forward the new idea of returning to the original, expounding the spiritual value of Chinese traditional history and culture, and putting forward the countermeasures of the cultural crisis at that time. The second chapter mainly starts with Tang Junyi's comparison of Chinese and Western cultural characteristics, analyzes his interpretation of Chinese artistic spirit under the tension of Chinese and Western comparison, highlights the uniqueness of Chinese artistic spirit, and then affirms the value of Chinese cultural spirit. Tang Junyi's view of mind and spirit, the general view of feeling and the understanding of time and space in art all laid a foundation for his analysis of the spirit of Chinese art. He thinks that the spirit of Chinese art shows the characteristics of "void and reality" and "travel", and these characteristics are also reflected in Chinese literature, so he further analyzes the similarities between the spirit of Chinese art and the spirit of Chinese literature. The third chapter compares Tang Junyi's Chinese artistic spirit and Xu Fuguan's Chinese artistic spirit, starting from the three aspects of quoting Chinese and Western cultures, demonstrating the relationship between morality and art, and expounding the different artistic spirits of Confucianism and Taoism. In order to highlight Tang Junyi the Chinese artistic spirit under the Chinese contrast angle of view unique place. Tang Junyi's interpretation of the spirit of Chinese art is based on the macro view, which is based on the comparison of Chinese and Western cultures, especially the differences in art. He grasped the "heart" and "temperament" in the traditional culture and took this as the theoretical starting point to explore the relationship between morality and art in the spirit of Chinese art. Against the background of opposing and even criticizing Confucian culture Tang Junyi reinterpreted the Confucian artistic spirit and gave it a high evaluation in order to improve the status of Confucian culture. The fourth chapter reflects on Tang Junyi's spirit of Chinese art. On the basis of carrying forward the spirit of traditional culture, he proposed to treat Chinese and Western culture equally, absorb the essence of western culture, provide a solution to the crisis of national culture at that time, and provide ideas for the modern transformation of traditional culture. This is still playing an important role in cultural exchange and collision today. But its thought also has neglects the aesthetic purity and the subjective idealism flaw.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J02
本文編號：2302217
[Abstract]:Tang Junyi, as one of the important places of modern Neo-Confucianism, his philosophical thought has always been the focus of the scholars, and his interpretation of the spirit of Chinese art should not be ignored. Facing the crisis of national culture, Tang Junyi began to explore the value of Chinese traditional culture from the comparison of Chinese and Western cultural characteristics in the historical context of western learning to the east. As an important dimension of Chinese culture, Chinese art is also the focus of Tang Junyi's attention. This paper analyzes the background of Tang Junyi's concept of Chinese artistic spirit at home and abroad, the ideological basis and the characteristics of "the void and the reality" and the "tour", and probes into the relationship between Tang Junyi's Chinese artistic spirit and the literary spirit. Compared with Xu Fuguan's analysis of Chinese artistic spirit, Tang Junyi's view of Chinese artistic spirit is discussed comprehensively and the cultural implication behind it is explored. Tang Junyi's excavation of the spirit of Chinese art not only pointed out a new direction for the Chinese and Western cultures to learn from each other, but also provided a new way of thinking for the modern transformation of Chinese traditional culture. This is of guiding significance to the integration and development of Chinese culture and even world culture. In addition to the introduction, this paper is divided into four parts. The first chapter gives an overview of Tang Junyi's life and works, focusing on the domestic and foreign background of Tang Junyi's view of Chinese artistic spirit. From the foreign point of view, the impact of the western culture on Chinese culture has caused a crisis of Chinese culture; from the domestic point of view, people have lost confidence in the traditional culture and defected one after another. Tang Junyi put forward the new idea of returning to the original, expounding the spiritual value of Chinese traditional history and culture, and putting forward the countermeasures of the cultural crisis at that time. The second chapter mainly starts with Tang Junyi's comparison of Chinese and Western cultural characteristics, analyzes his interpretation of Chinese artistic spirit under the tension of Chinese and Western comparison, highlights the uniqueness of Chinese artistic spirit, and then affirms the value of Chinese cultural spirit. Tang Junyi's view of mind and spirit, the general view of feeling and the understanding of time and space in art all laid a foundation for his analysis of the spirit of Chinese art. He thinks that the spirit of Chinese art shows the characteristics of "void and reality" and "travel", and these characteristics are also reflected in Chinese literature, so he further analyzes the similarities between the spirit of Chinese art and the spirit of Chinese literature. The third chapter compares Tang Junyi's Chinese artistic spirit and Xu Fuguan's Chinese artistic spirit, starting from the three aspects of quoting Chinese and Western cultures, demonstrating the relationship between morality and art, and expounding the different artistic spirits of Confucianism and Taoism. In order to highlight Tang Junyi the Chinese artistic spirit under the Chinese contrast angle of view unique place. Tang Junyi's interpretation of the spirit of Chinese art is based on the macro view, which is based on the comparison of Chinese and Western cultures, especially the differences in art. He grasped the "heart" and "temperament" in the traditional culture and took this as the theoretical starting point to explore the relationship between morality and art in the spirit of Chinese art. Against the background of opposing and even criticizing Confucian culture Tang Junyi reinterpreted the Confucian artistic spirit and gave it a high evaluation in order to improve the status of Confucian culture. The fourth chapter reflects on Tang Junyi's spirit of Chinese art. On the basis of carrying forward the spirit of traditional culture, he proposed to treat Chinese and Western culture equally, absorb the essence of western culture, provide a solution to the crisis of national culture at that time, and provide ideas for the modern transformation of traditional culture. This is still playing an important role in cultural exchange and collision today. But its thought also has neglects the aesthetic purity and the subjective idealism flaw.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J02
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