【摘要】：法國(guó)作家、批評(píng)家莫里斯·布朗肖的文學(xué)思考主要圍繞"文學(xué)的可能性"這一問題。本文主要通過分析《文學(xué)空間》等文本中的相關(guān)闡釋,論述了布朗肖關(guān)于"文學(xué)靈感"的獨(dú)特概念。靈感問題在已有研究中被忽視了,但它對(duì)于理解和評(píng)價(jià)布朗肖的文學(xué)思想?yún)s是關(guān)鍵的。本文通過辨析與此問題相關(guān)的靈感、本源、主體、外部、界限和越界等關(guān)鍵詞,指出了對(duì)于布朗肖的靈感概念的討論其實(shí)很好地呈現(xiàn)了一個(gè)當(dāng)代文論的核心議題,即作者在文本中的缺席。更為關(guān)鍵的是,布朗肖的文學(xué)靈感觀的復(fù)雜之處,在于他既不同于古希臘也不同于浪漫主義,提醒著我們?cè)谧穼れ`感的寫作中那種自我與他者、內(nèi)部與外部以及主動(dòng)與被動(dòng)的雙重性。
[Abstract]:The literary thinking of French writer and critic Maurice Brownshaw revolves around the possibility of literature. This paper discusses Brownshaw's unique concept of literary inspiration by analyzing the relevant explanations in Literary Space and other texts. The question of inspiration has been neglected in previous studies, but it is crucial to understand and evaluate Brownshaw's literary thought. By analyzing the key words of inspiration, origin, subject, exterior, boundary and crossing the boundary, this paper points out that the discussion of Brownshaw's concept of inspiration has well presented a core topic of contemporary literary theory. The absence of the author in the text. Crucially, Brownshaw's view of literary inspiration is complex in that he is different from both ancient Greece and romanticism, reminding us of the self and the other in the writing that seeks inspiration. Internal and external as well as active and passive duality.
【作者單位】： 浙江大學(xué)傳媒與國(guó)際文化學(xué)院;美國(guó)波士頓大學(xué);
【分類號(hào)】：I0-05
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本文編號(hào)：2285612