【摘要】： 虛擬藝術(shù)是數(shù)字媒介技術(shù)與藝術(shù)相整合所產(chǎn)生的全新的藝術(shù)形態(tài)與表征。這種全新的表征方式顛覆了傳統(tǒng)的表征方式,出現(xiàn)了表征危機(jī)。在虛擬世界,傳統(tǒng)的真實(shí)并不存在,事物本身并不存在,這些事物有其形而無其實(shí),一切都在自己的表象后面隱退。虛擬粉碎了現(xiàn)實(shí)性的真假界限,產(chǎn)生了真的假和假的真。 由于多媒介的運(yùn)用,虛擬藝術(shù)的創(chuàng)作方式和表現(xiàn)形態(tài)等都發(fā)生了變化。人們的審美意識(shí)也隨之嬗變。虛擬藝術(shù)的審美是“類像”的符號(hào)審美。這種審美方式改變了主體與世界之間原有的審美關(guān)系。不僅藝術(shù)與現(xiàn)實(shí)間的真實(shí)失去可體認(rèn)性,主體與現(xiàn)實(shí)之間的審美關(guān)系也被阻隔,主客體合而為一。 虛擬藝術(shù)較之傳統(tǒng)藝術(shù),無論是其媒介、文本的生存方式,還是作者和讀者的關(guān)系都發(fā)生了前所未有的變化。這種變化使虛擬藝術(shù)擁有其獨(dú)特的審美特征。虛擬藝術(shù)能讓人產(chǎn)生一種全身心沉浸的審美體驗(yàn),人們完全融入虛擬的真實(shí)之中,以至于忘卻了現(xiàn)實(shí)的真實(shí)。在虛擬世界,由于虛擬的出場(chǎng),人們可以足不出戶,便可知覺到相隔萬里之遙的對(duì)象。通過遠(yuǎn)程顯現(xiàn),人們可以得到事物的真實(shí)存在的感覺。虛擬藝術(shù)是關(guān)于交流的藝術(shù),它終止了傳統(tǒng)藝術(shù)的時(shí)間美學(xué),開辟了在線空間的活性詩(shī)學(xué)。 虛擬藝術(shù)的在場(chǎng)是一種虛擬在場(chǎng)。在虛擬世界,主體被弱化,主體與他人的共存只是一種符號(hào)性的存在。虛擬主體的每一次相遇都是對(duì)符號(hào)的遭遇。由于這種虛擬缺場(chǎng),虛擬社區(qū)的道德主體也沒有一個(gè)明確的界定。為追求審美的快感,人們的欲望不斷膨脹,導(dǎo)致虛擬藝術(shù)倫理道德出現(xiàn)危機(jī)。在我們津津樂道虛擬藝術(shù)帶給我的快感時(shí),我們不能不對(duì)人文關(guān)懷失位、倫理問題進(jìn)行深入的反思。
[Abstract]:Virtual art is a new artistic form and representation produced by the integration of digital media technology and art. This new way of representation subverts the traditional way of representation and presents a crisis of representation. In the virtual world, the traditional reality does not exist, and the things themselves do not exist. Virtual shattered the reality of the true and false boundaries, to produce true false and false truth. As a result of the use of multi-media, the creation mode and expression form of virtual art have changed. People's aesthetic consciousness also changes with it. The aesthetic of virtual art is the symbol aesthetic of "class image". This aesthetic way changed the original aesthetic relationship between the subject and the world. Not only the reality between art and reality loses recognizability, but also the aesthetic relationship between subject and reality is blocked. Compared with traditional art, virtual art has undergone unprecedented changes in media, text survival style, and the relationship between the author and the reader. This kind of change causes the virtual art to have its unique esthetic characteristic. Virtual art can produce a kind of aesthetic experience that immerses one's whole body and mind, and people completely melt into virtual reality, even forget the reality of reality. In the virtual world, because of the virtual appearance, people can feel the object thousands of miles away from home. Through remote manifestation, one can get a sense of the true existence of things. Virtual art is the art of communication, which ends the time aesthetics of traditional art and opens up the active poetics of online space. The presence of virtual art is a virtual presence. In the virtual world, the subject is weakened, and the coexistence of the subject and others is only a symbolic existence. Each encounter of the virtual subject is the encounter of the symbol. Because of this virtual lack, the moral subject of virtual community is not clearly defined. In order to pursue aesthetic pleasure, people's desire expands constantly, which leads to the crisis of virtual art ethics. When we talk about the pleasure that virtual art brings to me, we have to reflect deeply on the loss of humanistic concern and ethical issues.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J01

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