【摘要】：晚清是文學(xué)概念從古代廣義的泛文學(xué)概念向現(xiàn)代狹義的美文學(xué)概念轉(zhuǎn)換的時(shí)期。其轉(zhuǎn)換的重要時(shí)代語境,是在西學(xué)東漸之下古代美學(xué)向現(xiàn)代美學(xué)的過渡。盡管以感人的美為特征的新文學(xué)概念曾遭到傳統(tǒng)文學(xué)概念守衛(wèi)者的阻擊,但"文學(xué)屬于美之一部分"的觀念依然成為勢不可擋、異口同聲的主流共識(shí)。而在文學(xué)的各種體裁中,當(dāng)時(shí)風(fēng)行的小說尤以突出的美的效果席卷讀者,從而被推為"文學(xué)之最上乘",引發(fā)了眾多理論家對(duì)小說審美特征及其機(jī)制的探討。于是,以美為特征的文學(xué)概念在這個(gè)時(shí)期應(yīng)運(yùn)而生。
[Abstract]:The late Qing Dynasty was a period when the concept of literature changed from the concept of pan-literature in ancient broad sense to the concept of aesthetic literature in modern narrow sense. The important context of its transformation is the transition from ancient aesthetics to modern aesthetics. Although the concept of new literature characterized by touching beauty was attacked by the guardians of traditional literary concepts, the idea that "literature belongs to a part of beauty" is still an unstoppable and unstoppable mainstream consensus. Among all kinds of literary genres, the popular novels at that time swept the readers with the outstanding effect of beauty, thus being regarded as "the best of literature", which caused many theorists to probe into the aesthetic characteristics and the mechanism of the novels. Thus, the concept of literature characterized by beauty came into being in this period.
【作者單位】： 上海政法學(xué)院應(yīng)用社會(huì)科學(xué)研究院;
【基金】：國家社會(huì)科學(xué)基金后期資助項(xiàng)目“中國現(xiàn)當(dāng)代美學(xué)史”(16FZW052) 2016年上海市哲學(xué)社會(huì)科學(xué)規(guī)劃課題“20世紀(jì)以來中國美學(xué)的學(xué)科轉(zhuǎn)型與演進(jìn)歷程”(2016BWY012) 2016年上海市“高校服務(wù)國家重大戰(zhàn)略出版工程”項(xiàng)目“中國美學(xué)全史(五卷本)”
【分類號(hào)】：B83-092
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本文編號(hào)：2195577