本文選題：“前藝術(shù)”符號 + 動物美感　； 參考：《南京社會科學》2017年12期

【摘要】：符號學作為自然科學與人文科學的整合,以其思辨的理論視域,借鑒生物學的研究成果,能夠?qū)λ囆g(shù)與"前藝術(shù)"之聯(lián)系和差別提出建設性的觀點。藝術(shù)符號和"前藝術(shù)"活動都具有對美感的生理感知和表達,然而,較之于"前藝術(shù)"符號,人類藝術(shù)不僅是以人類的語言系統(tǒng)為基礎的,還是連續(xù)的、普遍的、整全的,這和"前藝術(shù)"符號的"非連續(xù)性"形成了鮮明對比,而"非連續(xù)性"正好是"前藝術(shù)"符號與藝術(shù)符號的區(qū)別性特征之一。
[Abstract]:Semiotics, as the integration of natural science and human science, with its theoretical field of view and biological research achievements, can put forward a constructive point of view on the relationship and difference between art and "pre-art". Artistic symbols and "pre-art" activities both have physiological perception and expression of aesthetic feeling. However, compared with "pre-art" symbols, human art is not only based on human language system, but also continuous, universal and complete. This contrasts with the "discontinuity" of the "pre-art" symbol, which is one of the distinguishing features between the "pre-art" symbol and the artistic symbol.
【基金】：國家社會科學基金青年項目“民族符號學研究”(14CMZ012)的階段性成果
【分類號】：J0
，

本文編號：2109986