本文選題：詩歌 + 借代��； 參考：《中華文化論壇》2017年07期

【摘要】：《荒人手記》這部小說的英譯本獲得了美國國家翻譯獎(jiǎng),但通過對其小說中引用和創(chuàng)作詩歌翻譯的研究,發(fā)現(xiàn)有些意象和意義之間的偏離嚴(yán)重。鑒于中國詩歌的創(chuàng)作傳統(tǒng),本文將這些詩歌的翻譯偏離分為對借代和用典的誤解兩類,通過分析還原詩歌的歷史語境,澄清其意義內(nèi)涵,闡述了翻譯中意義和意象統(tǒng)一的必要性,指出詩歌翻譯中的"誤解誤譯"和"意象再造性翻譯"的區(qū)別。最后,值得注意的是,漢詩的詮釋和標(biāo)注工作在詩歌海外傳播中同樣不可或缺。
[Abstract]:The English translation of this novel won the American National Translation Award, but through the study of the translation of poems cited and written in the novel, it is found that some images deviate seriously from the meaning. In view of the tradition of Chinese poetry creation, this paper divides the translation deviations of these poems into two categories: metonymy and metonymy, and clarifies the meaning of poetry by analyzing and restoring the historical context of poetry. This paper expounds the necessity of the unity of meaning and image in translation, and points out the difference between "misunderstanding and mistranslation" and "image remaking translation" in poetry translation. Finally, it is worth noting that the interpretation and annotation of Chinese poetry is also indispensable in the overseas dissemination of poetry.
【作者單位】： 中國民航大學(xué);廣西師范大學(xué);
【基金】：中國民航大學(xué)中央高校項(xiàng)目“譯者葛浩文翻譯慣習(xí)形成研究”(項(xiàng)目編號(hào):3122016R003);中國民航大學(xué)科研啟動(dòng)項(xiàng)目“葛浩文翻譯策略歷時(shí)研究”(項(xiàng)目編號(hào):2014QN20X)成果之一
【分類號(hào)】：H315.9;I046

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本文編號(hào)：2033590