虛擬現(xiàn)實(shí)與麥克盧漢“作為藝術(shù)形式的世界”
發(fā)布時(shí)間:2018-06-17 00:10
本文選題:麥克盧漢 + 虛擬現(xiàn)實(shí)。 參考:《電影評(píng)介》2017年16期
【摘要】:正沒有人天生就知道所有事實(shí)的真相!ふ材匪箤(duì)于那些心有熱情而閱讀淺泛的讀者來說,麥克盧漢的作品究竟能被他們讀懂多少?那些一知半解的外行網(wǎng)民,東一榔頭西一棒槌地尋找深刻見解,對(duì)麥克盧漢超前而又及時(shí)地向電子時(shí)代轉(zhuǎn)向的整體氛圍進(jìn)行挖掘,可是,他們真的能夠從更深層面上把握他的觀點(diǎn)嗎?這個(gè)問題很復(fù)雜,比我們思考這些網(wǎng)民能不能一口吃掉一個(gè)巨無霸漢堡要復(fù)雜許多。麥克盧漢總是能產(chǎn)生一些帶有虛擬性質(zhì)的觀眾,
[Abstract]:No one is born to know the truth of all the facts. - how much can Mcluhan read by William James for those readers who are enthusiastic and read shallow readers? How can they really grasp his views on a deeper level? This is a complex problem that is much more complicated than we think that these netizens can eat a big Mac in a bite. Mcluhan can always produce some spectators with virtual nature.
【作者單位】: 英國約克大學(xué);中國礦業(yè)大學(xué)徐海學(xué)院外語系;中國社會(huì)科學(xué)院研究生院;
【分類號(hào)】:J02;TP391.9
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本文編號(hào):2028662
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