本文選題：理論文獻(xiàn) + 藝術(shù)審美　； 參考：《美術(shù)》2017年05期

【摘要】：正在藝術(shù)的審美范疇中,"意象"無疑是一個(gè)重要的詞匯,很多人對(duì)"意象"的理解始終較為模糊,因?yàn)橐?意象"的產(chǎn)生來說,實(shí)質(zhì)上是一個(gè)哲學(xué)命題。在中國(guó)早期的相關(guān)理論文獻(xiàn)中,"意象"往往和"象"同義,與此一致的是,"意境"也往往和"境"同義。關(guān)于"象"的闡釋,最早的應(yīng)該是老子。在老子的觀點(diǎn)中,"象"還并不是一種審美形象,它與"氣"同為代表宇
[Abstract]:In the aesthetic category of art, "image" is undoubtedly an important word, and many people always have a vague understanding of "image", because in terms of the appearance of "image", it is essentially a philosophical proposition. In the early relevant theoretical literature in China, "image" and "image" often synonymous with "image", in line with this, "artistic conception" is also often synonymous with "context". The earliest interpretation of Xiang should be Laozi. In Laozi's opinion, "Xiang" is not yet a kind of aesthetic image, it is the representative of "Qi" as well.
【作者單位】： 哈爾濱師范大學(xué);
【分類號(hào)】：J01
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本文編號(hào)：1983466