本文選題：比較美術(shù)學(xué) + 比較視域��； 參考：《文化藝術(shù)研究》2017年03期

【摘要】：作為比較藝術(shù)學(xué)子系統(tǒng)之一的比較美術(shù)學(xué),應(yīng)該是在比較美術(shù)學(xué)的研究實踐中成果最多的,也是常被提及需要建設(shè)比較美術(shù)學(xué)的學(xué)科之一。明清以來,中西美術(shù)的交流與研究就有了較好的開端,如吳歷、鄒一桂、利瑪竇、郎世寧等中西方學(xué)者既有美術(shù)實踐又有理論研究,歷史學(xué)家向達《明清之際中國美術(shù)所受西洋之影響》,宗白華《論中西畫法的淵源與基礎(chǔ)》《中西畫法所表現(xiàn)的時空意識》等論文是比較美術(shù)學(xué)研究成果的典型范例。本世紀(jì)以來隨著世界美術(shù)的交流,比較美術(shù)學(xué)的建構(gòu)勢在必行,同時,作為比較藝術(shù)學(xué)子系統(tǒng)的比較美術(shù)學(xué)是完善比較藝術(shù)學(xué)學(xué)科的必要條件之一,為此確立比較美術(shù)學(xué)的學(xué)科性質(zhì)、特征是建構(gòu)比較美術(shù)學(xué)的必要條件與邏輯基礎(chǔ)。
[Abstract]:As one of the subsystems of comparative art, comparative art should be one of the subjects that need to be constructed in the research practice of comparative art. Since the Ming and Qing dynasties, there has been a good beginning in the exchange and research of Chinese and Western fine arts, such as Wu Li, Zou Yigui, Matteo Ricci, Lang Sining and other Chinese and Western scholars, who have both art practice and theoretical research. Historian Xiang Da "the Western influence on Chinese Fine Arts in the Ming and Qing dynasties", Zong Baihua "on the Origin and Foundation of Chinese and Western painting methods" and "the Space-time consciousness of Chinese and Western painting methods" are typical examples of the research results of comparative art. Since this century, with the exchange of the world's fine arts, the construction of comparative art is imperative. At the same time, as a subsystem of comparative art, comparative art is one of the necessary conditions to perfect the discipline of comparative art. Therefore, to establish the subject nature of comparative art, the characteristics are the necessary conditions and logical basis of constructing comparative art.
【作者單位】： 東南大學(xué)藝術(shù)學(xué)院;
【基金】：“中央高�；究蒲袠I(yè)務(wù)費專項資金資助”(項目編號:2242017S10037)的階段性成果
【分類號】：J0-03
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本文編號：1805950