本文選題：重慶 + 公共藝術(shù)創(chuàng)作��； 參考：《重慶大學(xué)》2010年碩士論文

【摘要】：公共藝術(shù)生長于特定的地域之上,公共藝術(shù)的地域性不僅指形式上的和諧與呼應(yīng),更是指符合地方的自然、社會、經(jīng)濟(jì)、資源等條件所構(gòu)成的發(fā)展的可能性。地域公共藝術(shù)創(chuàng)作離不開地域自然環(huán)境因素,更離不開地域社會環(huán)境因素。 本論文以重慶地域?yàn)槔?從藝術(shù)學(xué)的角度考察重慶的地域環(huán)境、地域文化,結(jié)合人文地理學(xué)、建筑學(xué)、生態(tài)學(xué)等相關(guān)理論對地域公共藝術(shù)創(chuàng)作展開了探討。 首先,從探討地域性、公共藝術(shù)的概念以及地域公共藝術(shù)的涵義和構(gòu)成要素入手,分析了地域公共藝術(shù)創(chuàng)作的理念與策略。 其次,從重慶公共藝術(shù)創(chuàng)作的地域性背景分析入手,即對自然環(huán)境要素與人文環(huán)境要素(巴渝文化)分析,探討了重慶地域自然環(huán)境因素、社會環(huán)境因素如經(jīng)濟(jì)、政治、科技、宗教思想、民俗等與巴渝文化特征之間的關(guān)聯(lián),概括歸納其地域性特征——融合多元、開放突變、濱水山地、兼容并包的特點(diǎn);并以大足石刻為例,探討傳統(tǒng)藝術(shù)、地域和地域文化的關(guān)聯(lián),以期為當(dāng)今重慶的地域公共藝術(shù)創(chuàng)作提供經(jīng)驗(yàn)借鑒。 再次,論文分析了重慶當(dāng)代公共藝術(shù)創(chuàng)作的時代特征和地域性傾向,并以《記憶山城》、《浩氣長存》雕塑、《重慶洪崖洞民俗風(fēng)貌區(qū)》公共建筑等實(shí)例探討了當(dāng)代重慶公共藝術(shù)創(chuàng)作的地域性具體表達(dá)。 最后,論文著重從兩個層次探討了重慶地域公共藝術(shù)創(chuàng)作方向。首先是理念層次,探討了如何使重慶的地域文化特征在公共藝術(shù)中能夠得到傳承和延續(xù)以及重慶地域公共藝術(shù)與地域環(huán)境的和諧呼應(yīng)。其次,在人地共生、文脈延續(xù)、整體發(fā)展的創(chuàng)作理念之下,如何使重慶公共藝術(shù)更符合地域環(huán)境、更能彰顯地域特色提出了創(chuàng)作策略與思路。 總之,由于地域的千變?nèi)f化,地域藝術(shù)的形式才豐富多彩。扎根于地域的自然生態(tài)、社會環(huán)境的公共藝術(shù)研究不僅僅是為了塑造某種藝術(shù)風(fēng)格,而是表現(xiàn)為一種創(chuàng)造藝術(shù)地域特色的思路和方法,這種思路和方法是重慶公共藝術(shù)個性化發(fā)展的關(guān)鍵。
[Abstract]:The regional nature of public art not only refers to the harmony and echo in form, but also refers to the possibility of development that conforms to the local natural, social, economic and resource conditions.Regional public art creation can not be separated from regional natural environment factors, but also from regional social environment factors.Taking Chongqing region as an example, this paper investigates Chongqing's regional environment, regional culture, combined with the relevant theories of human geography, architecture, ecology and so on, from the point of view of art, and probes into the regional public art creation.First of all, this paper analyzes the concept and strategy of regional public art creation by discussing the concept of regional public art, as well as the meaning and elements of regional public art.Secondly, starting with the regional background analysis of public art creation in Chongqing, that is, analyzing the elements of natural environment and human environment (Bayu culture), the paper discusses the factors of natural environment, social environment, such as economy, politics, science and technology in Chongqing.The relationship between religious thoughts, folklore and the cultural characteristics of Bayu is summarized and summarized, which are the characteristics of regional features, such as the combination of pluralism, opening and mutation, waterfront mountain area, and inclusion; and taking Dazu stone carving as an example, this paper discusses the traditional art.The relationship between regional culture and regional culture is expected to provide experience for regional public art creation in Chongqing.Thirdly, the paper analyzes the contemporary characteristics and regional tendency of contemporary public art creation in Chongqing.The regional expression of contemporary Chongqing public art creation is discussed with the examples of "memory Mountain City", "Everlasting Sculpture", "Chongqing Hongyadong folklore style area" and "Public Building".Finally, the paper discusses the direction of Chongqing regional public art creation from two levels.First of all, it discusses how to make Chongqing's regional cultural characteristics inherit and continue in public art and the harmony between Chongqing regional public art and regional environment.Secondly, under the creation idea of man and land symbiosis, culture continuity and overall development, how to make Chongqing public art more in line with the regional environment, and how to highlight the regional characteristics of creative strategies and ideas.In short, as a result of the region's ever-changing, the form of regional art is rich and colorful.Rooted in the natural ecology of the region, the study of public art in the social environment is not only for the purpose of shaping a certain artistic style, but also for the idea and method of creating the regional characteristics of art.This way of thinking and method is the key to the development of Chongqing public art personalization.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J120.9

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