化古開今錄夢華——我對材質(zhì)、結(jié)構(gòu)和時間意義的一點(diǎn)感悟
發(fā)布時間:2018-03-17 13:27
本文選題:時間意義 切入點(diǎn):現(xiàn)當(dāng)代藝術(shù) 出處:《美術(shù)觀察》2017年03期 論文類型:期刊論文
【摘要】:正藝術(shù)家創(chuàng)作之始,首先會考慮做什么、表達(dá)什么,繼而考慮怎么做、如何表達(dá)。我認(rèn)為方向是先導(dǎo),方法是手段,方案則是最終的成果。作為一名設(shè)計師出身的藝術(shù)家,我試圖創(chuàng)作出能根植于傳統(tǒng)的現(xiàn)當(dāng)代藝術(shù)作品,以現(xiàn)代的方式表現(xiàn)建筑文化,同時對高速城鎮(zhèn)化建設(shè)帶來的弊病做出反思。同時,我希望通過材料、構(gòu)造、形式、色彩等手段解構(gòu)傳統(tǒng)建筑。最終,
[Abstract]:At the beginning of an artist's creation, he will first consider what to do, what to express, and then how to do and how to express. I think the direction is the forerunner, the method is the means, and the plan is the final result. As an artist who is a designer, I'm trying to create works of modern and contemporary art that are rooted in tradition, to express architectural culture in a modern way, and to reflect on the drawbacks of high-speed urbanization, and I want to use materials, structures, forms, Color and other means to deconstruct traditional buildings.
【作者單位】: 中國人民大學(xué)藝術(shù)學(xué)院;
【分類號】:J05
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本文編號:1624942
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