本文選題：范小青　切入點：《桂香街》　出處：《東吳學(xué)術(shù)》2017年04期 　論文類型：期刊論文

【摘要】：范小青的長篇小說《桂香街》打開了一條切入當(dāng)代生活深層結(jié)構(gòu)的審美通道。一種獨特的審美視角的運用不僅可以有效地調(diào)動作家主體擇取的生活素材與人物形象,而且有利于社會矛盾的美學(xué)聚焦,達到大巧若拙的戲劇效果�！豆鹣憬帧分械木游瘯闶沁@樣一個大璞不雕的敏銳獨到的審美窗口。在《桂香街》所構(gòu)的日常美學(xué)大廈之中,小說匠心獨具的內(nèi)在線索顯示出其敘事動力學(xué)意義上的高超技藝。在獨特的審美空間之中,這部小說實際上探索了兩種邏輯,一種是當(dāng)下社會生活的運轉(zhuǎn)邏輯,另一種則是當(dāng)下國人的人心邏輯。對于《桂香街》而言,故事的內(nèi)在邏輯線索是在"人心"層面上展開的。小說通過大量的細節(jié)敘述顯示出解決問題的真正路徑是了解人心、深入人心、改變?nèi)诵�。�?dāng)然這一切還有一個必要前提,那就是自身主體的"人心"如何以及是否具有理解人心的能力。
[Abstract]:Fan Xiaoqing's novel Gui Xiang Street opens up an aesthetic channel that cuts into the deep structure of contemporary life. The use of a unique aesthetic perspective can not only effectively mobilize the life materials and characters selected by the writer's subject. And the aesthetic focus, which is conducive to social contradictions, can achieve a dramatic effect of great skill and clumsiness. The neighborhood committee in Gui Xiang Street is such a sharp and unique aesthetic window that Da-Pu does not carve. In the daily aesthetic edifice constructed by Gui Xiang Street, In the unique aesthetic space, the novel actually explores two kinds of logic, one is the running logic of the present social life. The other is the popular logic of the people. For Gui Xiang Street, the inner logic of the story is on the "human heart" level. The novel shows that the real way to solve the problem is to understand the human heart through a lot of detailed narration. Of course, there is also a necessary prerequisite for all of this, that is, how and whether the human mind of its own subject has the ability to understand the human heart.
【作者單位】： 南京大學(xué)中國新文學(xué)研究中心;
【基金】：教育部人文社會科學(xué)重點研究基地重大項目“社會啟蒙與文學(xué)思潮的雙向互動”(項目編號:16JJD750019) 江蘇省社科基金重點項目“中國現(xiàn)當(dāng)代文學(xué)學(xué)術(shù)史研究”(項目編號:13ZWA001)階段性成果
【分類號】：I01;I207.42
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本文編號：1613891