艾茲拉·龐德是意象派詩(shī)歌的創(chuàng)始人之一。1925年,龐德出版了漢詩(shī)譯作《華夏集》,把歐美現(xiàn)代詩(shī)歌接受中國(guó)古典詩(shī)歌的影響提到了歷史的高度。在東西方文化的交流過(guò)程中,異文化之間的誤讀現(xiàn)象總是不可避免的存在著；然而龐德,一改當(dāng)時(shí)盛行的維多利亞詩(shī)歌風(fēng)格,用中國(guó)古典詩(shī)歌這一截然不同的文學(xué)形式與死板只重主觀表達(dá)的維多利亞詩(shī)歌對(duì)抗,達(dá)到了創(chuàng)新美國(guó)詩(shī)歌的效果,讓讀者耳目一新。 本文旨在用《華夏集》來(lái)反映龐德的翻譯思想及探究其思想淵源�！度A夏集》擁有特殊的翻譯媒介,翻譯方法和深遠(yuǎn)的影響,很好的闡釋了譯者對(duì)原文的理解與闡釋不是簡(jiǎn)單的復(fù)制原文意思,而是要有所創(chuàng)造。本文會(huì)以《華夏集》為例,從文體風(fēng)格,語(yǔ)言及語(yǔ)法,和韻律等方面入手,來(lái)分析龐德的誤讀和創(chuàng)新。此外,文章還分析了文化誤讀出現(xiàn)的偶然性和必然性,即有意識(shí)誤讀和無(wú)意識(shí)誤讀,進(jìn)一步加深對(duì)龐德翻譯思想的了解。 在對(duì)中國(guó)古典詩(shī)歌的翻譯中,龐德所運(yùn)用的創(chuàng)意翻譯法受到了國(guó)內(nèi)外譯評(píng)界褒貶不一的評(píng)論,但我們應(yīng)該辯證對(duì)待。一方面龐德的《華夏集》推動(dòng)了美國(guó)新詩(shī)運(yùn)動(dòng)的發(fā)展,極大的促進(jìn)了西方世界對(duì)中國(guó)詩(shī)歌及中國(guó)文化的了解,另一方面誤讀和誤譯不利于跨文化的交流,甚至對(duì)源語(yǔ)國(guó)家的政治、經(jīng)濟(jì)、文化和意識(shí)形態(tài)造成不必要的混亂,中西翻譯文化史都證明了這一點(diǎn),這些對(duì)讀者正確理解異質(zhì)文化產(chǎn)生負(fù)面影響�？偟膩�(lái)說(shuō),龐德對(duì)中國(guó)詩(shī)歌的翻譯利弊皆有,但他的創(chuàng)意性要高于他的誤讀效應(yīng)。
【學(xué)位單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位年份】：2014
【中圖分類】：H315.9;I046
【文章目錄】：
Abstract
摘要
Chapter One Introduction
    1.1 Motivation of the Study
    1.2 Objective and Significance of Study
    1.3 Structure of the Thesis
Chapter Two Literature Review
    2.1 Previous studies on Pound
        2.1.1 A Brief Introduction of Ezra Pound
        2.1.2 Studies on Ezra Pound in the West
        2.1.3 Studies on Ezra Pound in China
        2.1.4 Limitations of the Previous Studies
    2.2 Previous Studies on Cathay
        2.2.1 Brief Introduction of Cathay
        2.2.2 Poems Translated in Cathay
        2.2.3 Translating Thoughts Applied in Cathay
            2.2.3.1 Cathay's Translating Process
            2.2.3.2 Pound's Poetic Translation Thoughts
        2.2.4 Assessment to Cathay
Chapter Three Cultural Misreading of Chinese Poems in Cathay
    3.1 Relevant Studies of Cultural Misreading
        3.1.1 Cultural Misreading in Translation
        3.1.2 Inevitability of Cultural Misreading
    3.2 Misreading in Cathay
        3.2.1 Misreading in Form
        3.2.2 Misreading in Rhythm
        3.2.3 Misreading in Cultural Connotation
    3.3 Reasons of Pound's Misreading
        3.3.1 Unconscious Misreading
        3.3.2 Conscious Misreading
    3.4 Views on Pound's Misreading
Chapter Four Creative Translation in Cathay
    4.1 Creative Translation
    4.2 Creation of Selecting Materials
    4.3 Creation in Vocabulary and Grammar
        4.3.1 Creation in Vocabulary
        4.3.2 Creation in Grammar
        4.3.3 Juxtaposition and Superposition of Images
    4.4 Creation in Rhythm
        4.4.1 Free Verse
        4.4.2 Absolute Rhythm
    4.5 Other creations
    4.6 Views on Pound's Creation
Chapter Five Relationship between Cultural Misreading and CreativeTranslation and Relevant Influence
    5.1 Relationship between Cultural Misreading and Creative Translation
    5.2 Relevant Influence of Cathay
        5.2.1 Negative Influence
        5.2.2 Positive Influence
            5.2.2.1 Sinomania after Cathay
            5.2.2.2 Cathay's Influence upon English Literature
Chapter Six Conclusion
Bibliography
Acknowledgement
List of Published Papers
學(xué)位論文評(píng)閱及答辯情況表

【參考文獻(xiàn)】

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2 趙毅衡;為龐德/費(fèi)諾羅薩一辯[J];詩(shī)探索;1994年03期

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