【摘要】：正作為專(zhuān)有名詞,"實(shí)驗(yàn)藝術(shù)"的提出呈現(xiàn)了一種未來(lái)指向。這就意味著提出概念的人們,主動(dòng)并堅(jiān)定地將之與其他藝術(shù)方式的沉穩(wěn)、保守、不激進(jìn)劃分開(kāi)來(lái),努力通過(guò)推進(jìn)藝術(shù)創(chuàng)造的先鋒性而實(shí)現(xiàn)新的美學(xué)主張。其明確的針對(duì)性導(dǎo)致了隨之產(chǎn)生的問(wèn)題:一旦提出"實(shí)驗(yàn)藝術(shù)",是否就意味著與其他的藝術(shù)構(gòu)成對(duì)立?同時(shí),這也必然導(dǎo)致另一個(gè)問(wèn)題:除"實(shí)驗(yàn)藝術(shù)"之外的"非實(shí)驗(yàn)藝術(shù)"的實(shí)驗(yàn)性、突破性該如何歸納?
[Abstract]:As a proper term, the proposal of "experimental art" presents a future direction. This means that the people who put forward the concept take the initiative and firmly distinguish it from other artistic methods, and strive to realize the new aesthetic idea by promoting the vanguard nature of artistic creation. Its clear pertinence leads to the question that arises: once "experimental art" is proposed, does it mean that it is opposed to other art? At the same time, this will inevitably lead to another question: besides "experimental art", "non-experimental art" experimental, how to sum up the breakthrough?
【作者單位】： 廣州美術(shù)學(xué)院;
【分類(lèi)號(hào)】：J05
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本文編號(hào)：2421916