本文選題：沈括　切入點(diǎn)：《夢(mèng)溪筆談》　出處：《湖北師范學(xué)院》2014年碩士論文

【摘要】：與唐朝詩歌創(chuàng)作高峰不同,宋代以筆記體的理論著稱。在北宋眾多理論著作中,沈括的《夢(mèng)溪筆談》是一部具有里程碑意義的百科全書式的著作,其以筆記體的形式記載了大量的內(nèi)容,涉及科技、醫(yī)藥、工程、詩歌、音樂、書畫等眾多學(xué)科領(lǐng)域。這樣一部宏大的著作中必定蘊(yùn)含著許多精辟論點(diǎn),然而目前國(guó)內(nèi)學(xué)者對(duì)于《夢(mèng)溪筆談》中的藝術(shù)思想研究尚不夠充分,因而對(duì)該書中的藝術(shù)思想進(jìn)行梳理和分析對(duì)于研究者而言有著重要的價(jià)值和意義。 本文將立足于藝術(shù)理論研究的角度,對(duì)散落于該書中的詩、畫、樂、書等理論觀點(diǎn),作出分類梳理,并對(duì)其進(jìn)行提煉、分析和探討。全文分為六章,分領(lǐng)域探究詩、畫、樂、書等理論觀點(diǎn)。第一章通過研究沈括的生平及交游經(jīng)歷,了解其思想,認(rèn)識(shí)《夢(mèng)溪筆談》創(chuàng)作背景,并通過對(duì)該書研究現(xiàn)狀的梳理發(fā)掘其進(jìn)一步研究的價(jià)值。第二章梳理書中詩歌理論條目,并歸類分析,歸結(jié)出沈括論詩重意、重法、講功用、講詩事互證等四方面的理論特點(diǎn)。第三章針對(duì)繪畫領(lǐng)域的相關(guān)論點(diǎn),分別從追求真實(shí)、求趣求妙、重意輕形、以事實(shí)鑒畫等四個(gè)方面,加以具體分析、探討,從而認(rèn)識(shí)沈括繪畫理論的體系性。第四章對(duì)該書中音樂理論的論述、分析主要集中在四個(gè)方面,分別是：“志”是“樂”與“聲”的基礎(chǔ),音樂器材又是妙樂的物質(zhì)基礎(chǔ),“法”尤其是唱法的重要性,至妙之樂需要有“意”。第五章針對(duì)《夢(mèng)溪筆談》中沈括的書法理論重點(diǎn)分為三方面加以論述：考證字跡推知演變歷程,注重“法”的運(yùn)用從而追求神韻美,以“淳”、“勁”、“力”為評(píng)賞高標(biāo)。第六章則站在統(tǒng)攝總體的角度,對(duì)前邊二至四章四個(gè)藝術(shù)領(lǐng)域理論做出宏觀把握,通過對(duì)該書中藝術(shù)思想作出歷史的縱向與橫向比較,從而突出其思想的特殊價(jià)值和意義,其中亦論及其不足之處,力圖更全面更準(zhǔn)確地把握沈括《夢(mèng)溪筆談》中的藝術(shù)思想。 全文引用原書資料較多,試圖全面清晰地展現(xiàn)作者的藝術(shù)思想,并對(duì)其作出理性思考。
[Abstract]:Different from the peak of poetry creation in the Tang Dynasty, the Song Dynasty was famous for its theory of note-writing. Among the numerous theoretical works of the Northern Song Dynasty, Shen Kuo's Mengxi Pen Tale was an encyclopedia of landmark significance. In the form of notes, a great deal of content has been recorded in science and technology, medicine, engineering, poetry, music, painting and many other fields of study. Such a great book must contain many incisive arguments. However, at present, domestic scholars have not done enough research on the artistic thought in Mengxi Pen Tale, so it is of great value and significance for researchers to sort out and analyze the artistic thought in the book. Based on the theoretical research of art, this paper classifies and sorts out the theoretical viewpoints of poetry, painting, music and books scattered in the book, and then refines, analyzes and discusses them. The full text is divided into six chapters, which are divided into six chapters, which are divided into four parts: poetry, painting, music, etc. The first chapter, by studying Shen Kuo's life and acquaintance experience, understands his thoughts and the background of his creation. The second chapter combs the poetry theory item in the book, and classifies the analysis, concludes that Shen Kuo's poems emphasize meaning, method and function. The third chapter aims at the related arguments in the field of painting, respectively from the pursuit of truth, the pursuit of interest and beauty, the emphasis on meaning and light of form, drawing with the facts to make a specific analysis, to explore, The fourth chapter focuses on four aspects: "Zhi" is the basis of "Music" and "Sound". Music equipment is also the material basis of wonderful music, "Dharma", especially the importance of singing method, The fifth chapter focuses on Shen Kuo's calligraphy theory, which is divided into three aspects: textual research on the evolution of handwriting, attention to the use of "law" to pursue the beauty of charm. "Chun", "Jin" and "Li" are regarded as high marks. Chapter VI stands at the angle of dominating the whole and makes a macroscopic grasp of the theories of the four art fields in the preceding two to four chapters, and makes a historical vertical and horizontal comparison between the artistic thoughts in the book and the art thoughts in the book. In order to highlight the special value and significance of his thought, and also on its shortcomings, try to grasp more comprehensively and accurately the artistic thought in Shen Kuo's Mengxi Pen talk. The full text refers to the original book more materials, tries to show the author's artistic thought completely and clearly, and makes the rational thought to it.
【學(xué)位授予單位】：湖北師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I0

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