發(fā)布時間：2018-03-21 04:55

  本文選題：公共藝術符號　切入點：民族性　出處：《延邊大學》2006年碩士論文　論文類型：學位論文

【摘要】：公共藝術作為城市形象的一個重要組成部分，已經日益受到公眾的重視，那些凝固在城市一角的藝術作品，正以無聲的方式默默改變著我們的生活環(huán)境以及生活品位。公共藝術是現代城市環(huán)境、城市景觀中不可缺少的重要因素，是與城市的宏觀、微觀環(huán)境相統一的環(huán)境藝術，也是精神文明建設的重要內容。作為精神文明與物質文明的象征，公共藝術是城市之魂，凝聚著一個城市的歷史與文化，體現著整個城市的精神面貌與綜合實力，并以其鮮明的文化特質、藝術性為城市樹立起與眾不同的形象，直接構成美好的生活空間和良好的投資與旅游環(huán)境。 隨著我國經濟發(fā)展和人民生活水平的不斷提高，現代城市公共空間建設逐漸為人們所重視。公共藝術即公共空間藝術，簡而言之就是在公共的空間內為人們提供一個美的意識和美的享受，它是人們對人性自然、對美學觀念的訴求與渴望。公共藝術有著獨特的藝術性，它所傳達的社會文化意義或透露的訊息，能引發(fā)環(huán)境使用者的共鳴與聯想，使公眾與環(huán)境之間形成良性的互動，激發(fā)環(huán)境的生氣和活力。 公共藝術作為視覺空間設計中的一種符號現象，起著溝通人們與文化、信息的作用，它是人類文化的見證和縮影。作為城市中的人文符號起著標志城市特征、美化公共環(huán)境、傳承民族文化、彰顯公眾精神的作用日益突出。當前我國公共藝術，要實現其美化環(huán)境傳播文化的功能，必須開拓視野從多角度分析發(fā)現并運用一種新的思維方式進行公共藝術創(chuàng)作。因此，在公共藝術設計中建立起對藝術符號的探索具有極其深刻的意義和必要性，它將為擴大公共藝術設計的表現手段和完善設計語言的中國化拓開一條廣闊的道路。 符號學是一種新穎的認識視角，更可作為我們所能利用的工具，而運用符號學原理分析公共藝術符號，，對當代公共藝術作品的設計必定有新穎的創(chuàng)作思路。對此進行認識與研究，發(fā)掘更多的符號特性，運用符號學原理來指引公共藝術設計，對傳統文化符號進行更好的繼承和發(fā)揚，使民族文化符號在世界范圍內保存其特有的內涵和韻味，同時創(chuàng)造出更多具有民族特色的藝術符號。本文以符號學為方法論，從深入分析公共藝術符號的表意結構入手，對公共藝術符號的形式特點和構成特點進行了詳盡闡述，深入探討傳統文化符號在當代藝術創(chuàng)作中的運用與創(chuàng)新，旨在將傳統文化符號從原背景中分離，在當代語境中重建傳統符號的當下意義，創(chuàng)造出具有時代特色又有民族特色的藝術符號。
[Abstract]:As an important part of the city image, public art has been paid more and more attention by the public. The public art is the modern urban environment, the indispensable important factor in the urban landscape, and the environmental art that is integrated with the macro and micro environment of the city. As a symbol of spiritual civilization and material civilization, public art is the soul of a city, condenses the history and culture of a city, and embodies the spiritual outlook and comprehensive strength of the whole city. And with its distinctive cultural characteristics, artistry sets up a distinctive image for the city, which directly constitutes a beautiful living space and a good investment and tourism environment. With the development of economy and the improvement of people's living standard, people pay more and more attention to the construction of modern urban public space. In short, it is to provide people with a sense of beauty and enjoyment of beauty in the public space. It is the pursuit and desire of human nature and aesthetic concept. Public art has a unique artistry. The social and cultural significance or information it conveys can arouse the resonance and association of the environmental users, make the public and the environment form a benign interaction, and stimulate the vitality and vitality of the environment. As a symbol phenomenon in the design of visual space, public art acts as a symbol to communicate people with culture and information, and it is the witness and microcosm of human culture. As a symbol of the city, it symbolizes the characteristics of the city and beautifies the public environment. The role of inheriting national culture and public spirit is becoming more and more prominent. At present, public art in our country should realize its function of beautifying environment and spreading culture. Therefore, it is of great significance and necessity to establish the exploration of artistic symbols in public art design. It will open a wide way to expand the expression means of public art design and perfect the Chinese design language. Semiotics is a novel perspective of understanding, and can be used as a tool for us to use, and the use of semiotics principles to analyze public art symbols, There must be novel creative ideas in the design of contemporary public works of art. To understand and study this, to explore more symbolic characteristics, to use semiotics principles to guide public art design, Carry on better inheritance and development of the traditional cultural symbol, make the national cultural symbol preserve its unique connotation and lasting appeal in the world, at the same time create more artistic symbols with national characteristics. This paper takes semiotics as the methodology, Starting with the deep analysis of the ideographic structure of public artistic symbols, this paper expounds in detail the formal and structural characteristics of public artistic symbols, and probes into the application and innovation of traditional cultural symbols in contemporary art creation. The purpose of this paper is to separate the traditional cultural symbols from the original background, to reconstruct the present significance of the traditional symbols in the contemporary context, and to create the artistic symbols with the characteristics of the times as well as the national characteristics.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J0

【引證文獻】

相關碩士學位論文 前2條

1 賈鵬;試論當代公共藝術設計中的CG現象[D];吉林大學;2008年

2 于兆玲;書籍頁碼的個性化設計與應用研究[D];北京印刷學院;2008年

本文編號：1642353