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涵濡中的中國(guó)文藝?yán)碚撻L(zhǎng)時(shí)段

發(fā)布時(shí)間:2018-03-02 09:53

  本文關(guān)鍵詞: 涵濡 中國(guó)文藝?yán)碚撻L(zhǎng)時(shí)段 三個(gè)中國(guó)之說(shuō) 中國(guó)文藝?yán)碚摰乃臅r(shí)段 出處:《中國(guó)文學(xué)研究》2013年04期  論文類(lèi)型:期刊論文


【摘要】:在涵濡理論基點(diǎn)上綜合布羅代爾的"長(zhǎng)時(shí)段"概念、梁?jiǎn)⒊娜齻(gè)中國(guó)之說(shuō)和許倬云的五個(gè)中國(guó)之說(shuō),可形成觀照中國(guó)文論涵濡進(jìn)程的四時(shí)段闡釋框架:第一段是中原的中國(guó)文化與文論,是指秦統(tǒng)一前在夏商周三代(含春秋戰(zhàn)國(guó))涵濡的中國(guó)文化與文論;第二段是中國(guó)的中國(guó)文化與文論,是指秦漢兩代的中國(guó)文化與文論;第三段是亞洲的中國(guó)文化與文論,是指魏晉南北朝到清代的中國(guó)文化與文論;第四段是世界的中國(guó)文化與文論,是指自晚清中國(guó)被納入西方主導(dǎo)的世界格局以來(lái)至今的中國(guó)文化與文論。這種考察可給中國(guó)文論研究帶來(lái)新眼光。從涵濡視角考察中國(guó)文論,意味著把后者視為中國(guó)自我與外來(lái)他者持續(xù)涵濡的產(chǎn)物。從文化涵濡過(guò)程考察中國(guó)文論,要求把文論同更為寬厚的文化過(guò)程緊密結(jié)合起來(lái),確認(rèn)中國(guó)文論既是中國(guó)文化的產(chǎn)物,又是它的具有一定代表性和特質(zhì)的組成部分。
[Abstract]:On the basis of Han Yu's theory, he synthesizes Brodale's concept of "long term", Liang Qichao's three China theory and Hsu Cho-yun 's five China theory. It can form a four-period frame of interpretation to observe the process of Chinese literary theory: the first paragraph is the Chinese culture and literary theory of the Central Plains, which refers to the Chinese culture and literary theory which was held in the Xia, Shang and Zhou dynasties (including Spring, Autumn and warring States) before the unification of Qin Dynasty; The second paragraph is Chinese culture and literary theory, which refers to the Chinese culture and literary theory of the Qin and Han dynasties, the third paragraph is the Chinese culture and literary theory in Asia, which refers to the Chinese culture and literary theory from the Wei, Jin, the Southern and Northern dynasties to the Qing Dynasty. The fourth paragraph is the world's Chinese culture and literary theory, which refers to the Chinese culture and literary theory since the late Qing Dynasty when China was brought into the western-dominated world pattern. This kind of investigation can bring a new vision to the study of Chinese literary theory. It means that the latter is regarded as the product of the continuous acculturation of the Chinese self and other outsiders. To examine Chinese literary theory from the perspective of cultural acculturation requires that literary theory be closely combined with a more generous cultural process, and that Chinese literary theory is the product of Chinese culture. It is also a representative and characteristic of its components.
【作者單位】: 北京大學(xué)藝術(shù)學(xué)院;
【分類(lèi)號(hào)】:I0

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 萬(wàn)代吉;;人類(lèi)學(xué)研究方法在藝術(shù)研究中的運(yùn)用——以拉薩市堆龍德慶縣加熱村覺(jué)木龍藏戲調(diào)查為例[J];阿壩師范高等專(zhuān)科學(xué)校學(xué)報(bào);2011年03期

2 李榮建;王鵬;;阿拉伯帝國(guó)為何沒(méi)能產(chǎn)生重商主義?[J];阿拉伯世界研究;2007年06期

3 李春雷;;梁?jiǎn)⒊形骱翔祵W(xué)術(shù)思想的形成歷程——基于文化傳播視野的解讀[J];安慶師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2008年11期

4 盧保娣;淺析《鄉(xiāng)土中國(guó)》中的“差序格局”[J];安陽(yáng)大學(xué)學(xué)報(bào);2004年01期

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