本文關(guān)鍵詞： 真理 詩歌 詩性語言 詩人 海德格爾　出處：《大連理工大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：真理問題在海德格爾詩歌批評中占據(jù)重要的位置,是貫穿其詩歌思想的一個重要主題。然而自1970年以來,對海德格爾的研究呈現(xiàn)一個傾向,即將真理問題和詩歌思想問題作為兩個獨立的研究。對于海德格爾真理觀的研究主要集中在美學(xué)和存在論哲學(xué)兩個領(lǐng)域,關(guān)注的焦點是真理的本質(zhì)問題和海德格爾前后思想轉(zhuǎn)變的原因。有關(guān)詩歌批評的研究則以藝術(shù)和語言兩個領(lǐng)域為主,關(guān)注詩歌思想元素的構(gòu)成。然而這兩種研究都分別忽視了海德格爾的真理問題與詩歌思想的內(nèi)在聯(lián)系性,使得研究呈現(xiàn)片面化趨勢。所以本文試圖結(jié)合海德格爾存在論真理觀和詩歌思想,從其后期“存在的真理”出發(fā),從詩歌、詩性語言以及詩人三個方面,探討詩歌對揭示存在的真理的重要意義。論文第一章試圖討論詩歌對真理的創(chuàng)建作用。文章首先探討詩歌的本質(zhì)是真理的創(chuàng)建,賦予詩歌創(chuàng)建真理的可能性。其次詩歌的創(chuàng)建雖然包含著贈予、建基和開端三層含義,但詩歌從根本意義上講是由真理之爭斗所引發(fā)的作為開端的創(chuàng)建,通過建立一個世界和制造大地,使得真理在世界與大地的爭斗中發(fā)生。第二章試圖討論詩性語言對真理的展開作用。首先語詞作為詩性語言的一部分給出存在,在語詞中我們經(jīng)驗到存在之真理。其次詩歌通過語詞對萬物和存在的本質(zhì)進行命名,所以命名作為詩性語言的另一部分是對世界差異性的命名,是對存在之真理的解蔽。而詩性語言本質(zhì)上是一種道說,道說存在的真理。所以語詞、命名和道說成為詩性語言揭示真理的方式。第三章試圖討論詩人對于人類重返真理家園的意義。海德格爾將詩人視為處于神和人之間的半神,在貧困時代傳遞神的信息,為人類守護真理的本源。而詩人的守護是為了在返鄉(xiāng)途中履行詩人的天職,即通過詩歌引導(dǎo)迷失的人類重新在真理中詩意的棲居。所以詩人作為半神在守護真理的同時引領(lǐng)人類重返詩意真理的家園。文章最后得出結(jié)論,詩歌是真理顯現(xiàn)的突出方式,詩歌創(chuàng)建存在的真理,詩性語言解蔽真理,而詩人則引導(dǎo)人們重新棲居于真理家園中,所以海德格爾詩歌批評中的真理是“海德格爾式的詩性真理”。
[Abstract]:The question of truth occupies an important position in Heidegger's poetry criticism and is an important theme throughout his poetic thoughts. However, since 1970, the study of Heidegger has shown a tendency. The study of Heidegger's view of truth is mainly concentrated in the fields of aesthetics and existential philosophy. The focus of attention is the essence of truth and the reason for Heidegger's ideological change. The study of poetry criticism is mainly in the fields of art and language. Attention is paid to the composition of the elements of poetic thought. However, these two studies have neglected the intrinsic connection between Heidegger's truth problem and poetic thought. Therefore, this paper attempts to combine Heidegger's ontology of truth and poetic thought, starting from its later "truth of being", from three aspects: poetry, poetic language and poet. The first chapter tries to discuss the role of poetry in the creation of truth. First, the paper discusses the essence of poetry is the creation of truth. Secondly, the creation of poetry contains three meanings: gift, foundation and beginning, but poetry is fundamentally created by the struggle of truth. By building a world and creating the earth, truth takes place in the struggle between the world and the earth. Chapter two attempts to discuss the effect of poetic language on truth. First, words are given as part of poetic language. In words we experience the truth of being. Secondly, poetry names everything and the nature of existence through words, so naming as another part of poetic language is the naming of world differences. The poetic language is essentially a kind of Tao, Tao says the truth of existence. Naming and Tao are the ways in which poetic language reveals truth. Chapter three attempts to discuss the significance of poets to the return of human beings to the land of truth. Heidegger regards the poet as a demigod between God and man and conveys the message of God in a time of poverty. To protect the source of the truth for mankind. And the poet's guardian is to perform the poet's duty on the way home, That is, through poetry to guide the lost human beings to live in the truth again, so the poet, as a demigod, while guarding the truth, leads mankind to return to the home of the poetic truth. Finally, the article draws the conclusion that poetry is a prominent way of showing the truth. Poetry creates the truth of existence, poetic language uncovers the truth, while the poet guides people to dwell in the home of truth again, so the truth in Heidegger's poetic criticism is "Heidegger's poetic truth".
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I052

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