本文關(guān)鍵詞： 意境 意象 發(fā)生 發(fā)展 現(xiàn)代轉(zhuǎn)換　出處：《東北師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 當(dāng)代中國文論的建設(shè),要解決好傳統(tǒng)文論的現(xiàn)代化問題。中國傳統(tǒng)統(tǒng)文論核心問題是意境。本文從情景、虛實(shí)關(guān)系對“意境”理論形成與發(fā)展過程的梳理,探尋意境理論在當(dāng)下獲得新的發(fā)展并融入到當(dāng)代理論的可能性,并試圖對意境理論進(jìn)行當(dāng)代轉(zhuǎn)化。 分四個(gè)部分論述:第一部分,前意境階段。主要論述《尚書》的“詩言志”,老子的大象、虛靜,《易傳》的“意”與“象,莊子的象外之象、“游心”說中,關(guān)于意境的理論跡象。第二部分,意象階段。主要論述作為意境理論范疇的意象,由在樂論中的體現(xiàn),到意象概念的提出,以及意象理論的發(fā)展演變。第三部分,意境階段。主要論述意境從唐《詩格》正式提出意境,經(jīng)過皎然、司空圖等人的發(fā)展,意境理論的逐漸成熟。第四部分,現(xiàn)代意境階段。主要論述意境發(fā)展至近代,自王國維始,意境開始了向現(xiàn)代美學(xué)的轉(zhuǎn)型。他第一次為中國詩學(xué)輸入無功利的文學(xué)觀,并破天荒地進(jìn)行了意境理論的形上詩學(xué)構(gòu)建,初步形成了以境界為核心的現(xiàn)代意境理論體系。朱光潛擴(kuò)大并深化王氏的無功利美學(xué)觀,提出人生藝術(shù)化,并用直覺說對意境理論進(jìn)行了解讀,對意境理論進(jìn)行了形式素的分析,推進(jìn)了意境理論形式素的深化。宗白華主要立足于中國傳統(tǒng),強(qiáng)調(diào)意境生命意識,強(qiáng)調(diào)生命之動(dòng),提倡樂觀進(jìn)取的超世入世觀,深入探討了意境的價(jià)值層次、意境的本體層次,并把意境推廣到藝術(shù)學(xué)領(lǐng)域、深化到文化學(xué)的深度,深化、提升了意境的虛實(shí)問題。王國維、朱光潛與宗白華己經(jīng)為我們初創(chuàng)了現(xiàn)代意境美學(xué)體系,我們應(yīng)該在他們開創(chuàng)的理論基礎(chǔ)上,以兼容并蓄的心態(tài),在總結(jié)當(dāng)代審美體驗(yàn)的基礎(chǔ)上,獨(dú)創(chuàng)出當(dāng)代意境美學(xué)。
[Abstract]:In the construction of contemporary Chinese literary theory, it is necessary to solve the modernization of traditional literary theory. The core problem of Chinese traditional unified literary theory is artistic conception. This paper explores the possibility of the new development of artistic conception theory and its integration into contemporary theory, and attempts to transform the theory of artistic conception into contemporary one. It is divided into four parts: the first part, the stage of pre-artistic conception. It mainly discusses the "poetic aspiration" in Shang Shu, the elephant in Laozi, the "meaning" and "image" in Yi Zhuan, the outside image of Zhuangzi's, and the theory of "wandering heart". On the theoretical signs of artistic conception. The second part, image stage, mainly discusses the image as the category of artistic conception theory, from the embodiment in music theory to the concept of image, and the development and evolution of image theory. Artistic conception stage. Mainly discusses the artistic conception from the Tang Dynasty "poetic style" formally put forward the artistic conception, after Jiao ran, the development of the person such as the sky chart, the artistic conception theory gradually matures. 4th part, the modern artistic conception stage, mainly discusses the artistic conception development to the modern times, From Wang Guowei on, the artistic conception began to transform to modern aesthetics. For the first time, he imported a literary view without utility for Chinese poetics, and constructed the theory of artistic conception on the metaphysical poetics for the first time. Zhu Guangqian expands and deepens Wang's view of non-utilitarian aesthetics, puts forward the artistry of life, and interprets the theory of artistic conception with intuition. This paper analyzes the formal element of the artistic conception theory and advances the deepening of the formal element in the artistic conception theory. Zong Baihua mainly bases on the Chinese tradition, emphasizes the life consciousness of artistic conception, emphasizes the movement of life, and advocates the optimistic and enterprising view of beyond the world's entry into the world. This paper probes deeply into the value level of artistic conception and the Noumenon level of artistic conception, and extends the artistic conception to the field of art, deepens the depth of culturology, deepens and promotes the problem of the virtual reality of artistic conception. Zhu Guangqian and Zong Baihua have established the modern artistic conception aesthetics system for us. We should create the contemporary artistic conception aesthetics on the basis of the theory they have created, with an all-embracing mentality and on the basis of summing up the contemporary aesthetic experience.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 何艷珊;老子音樂美學(xué)思想與相關(guān)藝術(shù)審美[D];中央音樂學(xué)院;2011年

相關(guān)碩士學(xué)位論文 前4條

1 王廷剛;論認(rèn)知視角下隱喻對詩歌意境的建構(gòu)[D];曲阜師范大學(xué);2011年

2 楊楊;傳統(tǒng)美學(xué)虛實(shí)觀對明式座椅的影響[D];東北林業(yè)大學(xué);2008年

3 黃利紅;情境，，虛擬情境與教學(xué)設(shè)計(jì)[D];湖南師范大學(xué);2009年

4 秦歡;從《周易》看意境的生成[D];遼寧大學(xué);2010年

本文編號：1525901