本文關(guān)鍵詞： 藝術(shù)受眾 多元審美文化 藝術(shù)文本 受眾本位 個(gè)體建設(shè)　出處：《中國海洋大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版)》2013年01期 　論文類型：期刊論文

【摘要】：在當(dāng)代審美文化多元共生的語境中,各種藝術(shù)文本呈現(xiàn)出的全面低幼化、粗鄙化、欲望化和平面化表征促使我們開始將反思和批判的目光對(duì)準(zhǔn)長期高居神壇的藝術(shù)受眾�？疾飚�(dāng)代書寫文本的受眾——讀者、視覺文本的受眾——觀眾和大眾審美文化的受眾——消費(fèi)者的內(nèi)在景觀與審美癥候,揭示當(dāng)代審美文化的墮落趨向和其廣大接受者的精神病變之間的互為因果的關(guān)系,可以引起學(xué)界將關(guān)注的重心由審美文化的制作轉(zhuǎn)向受眾研究。
[Abstract]:In the multi-symbiotic context of contemporary aesthetic culture, all kinds of artistic texts are characterized by comprehensive primary-age and vulgarization. The representation of desire and planarization urges us to begin to focus our reflection and criticism on the art audience, who has been living high in the world of gods for a long time. The audience of the visual text-the audience of the audience and the audience of the popular aesthetic culture-the internal landscape and the aesthetic symptoms of the consumers, reveal the causal relationship between the decadent tendency of the contemporary aesthetic culture and the mental diseases of the vast number of recipients. The focus of attention can be shifted from the production of aesthetic culture to the study of audience.
【作者單位】： 湖北師范大學(xué)文學(xué)院;
【分類號(hào)】：I01
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本文編號(hào)：1510722