【摘要】：陜北綏德秧歌來自陜北民間,和當?shù)氐娜罕姷乃枷胄叛�、風俗習慣、性格情感等方面有著較為密切的關系。經(jīng)過廣大人民群眾和無數(shù)藝人的錘煉和辛勤創(chuàng)造,使其內(nèi)容更加的豐富完整,逐漸成為綏德人民生活中歡度節(jié)日時不可缺少的一項傳統(tǒng)民間風俗性舞蹈活動。本文通過對綏德秧歌的歷史演進、發(fā)展現(xiàn)狀、藝術特征及保護發(fā)展等方面進行詳細闡述,使人們認識、了解綏德秧歌從而為保護發(fā)展這一非物質(zhì)文化遺產(chǎn)而做出努力。本文共分為五個部分： 第一部分：闡述本文研究綏德秧歌的目的,在于了解當時歷史背景下的陜北地區(qū)經(jīng)濟發(fā)展狀況與社會文化背景,可以看出這一時代的歷史、文化、民俗等方面發(fā)展水平,為進一步弘揚民族藝術文化,打造以綏德秧歌為代表的陜西民間藝術品牌,擴大陜西地區(qū)影響力起到積極作用。 第二部分：分析了綏德秧歌的歷史演進過程。闡述了綏德秧歌的雛形受到商代儺儀的影響,周代祭祀活動的奠基,在宋代社火影響下孕育而生,于明清時期達到成熟,在延安新秧歌運動的影響下振興發(fā)展。使得綏德秧歌逐漸發(fā)展成為深受群眾喜愛的民俗性民間廣場集體性歌舞。 第三部分：詳細闡述了綏德秧歌的發(fā)展現(xiàn)狀,將綏德秧歌按照不同的表演目的進行分類,分別是：神會秧歌、二十八宿秧歌、傳統(tǒng)老秧歌和新秧歌,按照不同的表演形式進行分類,分為：大場秧歌和小場秧歌。最后總結了綏德秧歌的社會功能。 第四部分：分析了綏德秧歌的表演特征,從基本動律,“扭”、“擺”、“走”的結合,分析綏德秧歌特有的韻律和美感,使舞姿造型更具典型性和特殊韻味；從人物角色的劃分,分析了綏德秧歌不同角色的風格、地位和作用；從綏德秧歌的場子圖案,分析了綏德秧歌具有鮮明的地方風格和民間色彩；從綏德秧歌的服飾與道具,分析了綏德秧歌在表演過程中被賦予象征性的涵義。 第五部分：闡述了綏德秧歌的保護與發(fā)展,筆者通過實地調(diào)查了解陜北綏德縣綏德秧歌的保護計劃,提出一系列的保護目標、內(nèi)容及措施,對秧歌未來的發(fā)展進行大膽的展望,希望能對綏德秧歌的傳承起到積極的宣傳作用。
[Abstract]:Suide Yangge comes from the folk of Northern Shaanxi and has close relationship with the local people's ideology, customs, personality and emotion. Through the hard work and creation of the broad masses of people and numerous entertainers, it has become an indispensable traditional folk dance activity in the life of Suide people to celebrate the festival. In this paper, the historical evolution, development status, artistic characteristics and protection and development of Suide Yangko are elaborated in detail, so that people can understand Suide Yangge and make efforts to protect and develop this intangible cultural heritage. This paper is divided into five parts: the first part: the purpose of this paper is to understand the economic development and social and cultural background of Northern Shaanxi under the historical background of that time, so as to see the history and culture of this era. The development level of folklore plays a positive role in carrying forward the national art culture, building the folk art brand represented by Suide Yangge, and expanding the influence of Shaanxi region. The second part: analyze the historical evolution process of Suide Yangge. This paper expounds that the embryonic form of Suide Yangko was influenced by the exorcism of Shang Dynasty, the foundation of the sacrifice activities of Zhou Dynasty was laid, which was conceived under the influence of social fire in Song Dynasty, reached maturity in the Ming and Qing dynasties, and was vitalized and developed under the influence of Yan'an New Yangko Movement. So that Suide Yangge gradually developed into folk plaza popular collective singing and dancing. The third part: elaborated Suide Yangko development present situation, will Suide Yangko according to the different performance goal carries on the classification, respectively: the God will Yangko, 28 Niangko, the traditional old Yangko and the new Yangko, According to the different forms of performance classification, divided into: big Yangko and small Yangko. Finally, the social function of Suide Yangge is summarized. The fourth part analyzes the performance characteristics of Suide Yangko, from the basic movement, "twist", "pendulum", "walk" combination, analysis of Suide Yangko unique rhythm and aesthetic sense, make dance style more typical and special charm; This paper analyzes the style, status and function of different characters of Suide Yangko from the division of characters, analyzes the distinctive local style and folk color of Suide Yangko from the view of its field pattern. From the costumes and props of Suide Yangge, the symbolic meaning of Suide Yangge is analyzed. The fifth part: elaborated Suide Yangge protection and the development, the author through the field investigation understood Suide Yangko protection plan, proposed a series of protection goal, the content and the measure, carried on the bold prospect to the Yangge future development, Hope to be able to Suide Yangko inheritance play a positive role in propaganda.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J722.211

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