【摘要】：正舞劇在中國(guó),到底有沒(méi)有市場(chǎng)?舞劇在中國(guó),到底能不能賺錢(qián)?關(guān)于這個(gè)問(wèn)題,絕大多數(shù)人的回答可能是猶豫不決的。原因雖然多種多樣,但是,恐怕深層次的原因在于中國(guó)舞劇乃至中國(guó)舞蹈的市場(chǎng)建設(shè)沒(méi)有完成,中國(guó)舞蹈的商業(yè)化體系遠(yuǎn)遠(yuǎn)沒(méi)有建成。所以就算偶有個(gè)別成功案例,也依然不能改變這個(gè)否定的答案。在幾年前,因?yàn)楝F(xiàn)有的舞劇投資產(chǎn)出結(jié)構(gòu)關(guān)系,筆者也基本保持相同的懷疑,但直到看到了舞劇《孔雀》,并對(duì)其運(yùn)營(yíng)進(jìn)行了相關(guān)的了解之后,認(rèn)為,事情也許
[Abstract]:Is there a market for regular dance in China? Dance drama in China, can you make money or not? The vast majority of people may be hesitant to answer this question. Although the reasons are various, I am afraid the deep reason is that the market construction of Chinese dance drama and even Chinese dance is not completed, and the commercial system of Chinese dance is far from being completed. So even if there are occasional success stories, they still can't change the negative answer. A few years ago, because of the structure of the investment output of the existing dance series, the author maintained the same suspicion, but until he saw the play Peacock and had a related understanding of its operation, I thought that things might be.
【分類(lèi)號(hào)】：J705

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