本文選題：性格 + 舞蹈編導(dǎo)��； 參考：《山東師范大學(xué)》2017年碩士論文

【摘要】：舞蹈編導(dǎo)的創(chuàng)作風(fēng)格是編導(dǎo)在一定的社會(huì)生活中探索與發(fā)現(xiàn),逐漸形成于生活體驗(yàn)和舞蹈創(chuàng)作實(shí)踐,它屬于編導(dǎo)個(gè)人獨(dú)特而穩(wěn)定的心理特征。舞蹈藝術(shù)創(chuàng)作與科學(xué)家的研究活動(dòng)迥然不同,客觀事實(shí)是科學(xué)家進(jìn)行研究的主要對(duì)象,而舞蹈藝術(shù)創(chuàng)作是從“我——舞蹈編導(dǎo)個(gè)人”出發(fā),即在一個(gè)統(tǒng)一、完整、獨(dú)特的性格里去求得初步解釋,再現(xiàn)客觀事物在舞蹈編導(dǎo)頭腦中的主觀印象。編導(dǎo)的創(chuàng)作風(fēng)格與其自身性格有著密切的、不可分割的聯(lián)系,一個(gè)優(yōu)秀編導(dǎo)的作品必定有其獨(dú)特、深刻、有力的舞蹈語(yǔ)言,他的舞蹈作品風(fēng)格和精神既有內(nèi)在氣質(zhì),也有感知、情感回憶、形象思維、意志沖動(dòng)等,并通過(guò)后天的實(shí)踐經(jīng)驗(yàn)、思想傾向、意識(shí)形態(tài)、藝術(shù)能力等心理特點(diǎn),充分體現(xiàn)編導(dǎo)的角色,彰顯編導(dǎo)的性格。本文從“性格”這個(gè)心理學(xué)角度來(lái)探討舞蹈創(chuàng)作風(fēng)格的內(nèi)在精神,嘗試通過(guò)分析舞蹈作品來(lái)探索舞蹈編導(dǎo)性格與創(chuàng)作風(fēng)格之間的關(guān)系。論文的主體分為四章:第一章“編導(dǎo)性格及創(chuàng)作風(fēng)格概述”,對(duì)“性格”、“編導(dǎo)”、“風(fēng)格”三個(gè)基本概念進(jìn)行系統(tǒng)化闡釋,著重探尋舞蹈風(fēng)格的種類及形成創(chuàng)作風(fēng)格的特征,并在此基礎(chǔ)上挖掘這三個(gè)名詞間的內(nèi)在聯(lián)系;第二章“編導(dǎo)性格的形成與發(fā)展”,本章主要從生物學(xué)因素和環(huán)境因素以及性格的培養(yǎng)三方面來(lái)探討性格的形成和發(fā)展的問(wèn)題,從解讀編導(dǎo)性格的形成與發(fā)展著手,進(jìn)一步延伸到培養(yǎng)優(yōu)秀性格的問(wèn)題;第三章“創(chuàng)作風(fēng)格中編導(dǎo)的性格體現(xiàn)”主要從編導(dǎo)創(chuàng)作風(fēng)格中獨(dú)特的審美觀、創(chuàng)作風(fēng)格與編導(dǎo)性格的對(duì)立統(tǒng)一及促生優(yōu)秀作品的性格要素三個(gè)方面進(jìn)一步論證創(chuàng)作風(fēng)格與編導(dǎo)性格的內(nèi)在聯(lián)系;第四章“舞蹈編導(dǎo)性格對(duì)創(chuàng)作風(fēng)格的推動(dòng)作用”,本章主要論述編導(dǎo)性格與創(chuàng)作風(fēng)格的交融推動(dòng)了創(chuàng)作風(fēng)格的發(fā)展,使風(fēng)格更加鮮明,使舞蹈風(fēng)格包含獨(dú)特的情感,最終確定個(gè)性在舞蹈創(chuàng)新發(fā)展中的作用。
[Abstract]:The creative style of choreographer is the exploration and discovery of choreographer in a certain social life, which is gradually formed in the life experience and dance creation practice. It belongs to the unique and stable psychological characteristics of the choreographer. Dance art creation is very different from the research activities of scientists. Objective facts are the main objects of study by scientists, while dance art creation starts from "I, the choreographer individual," that is, in one unity and integrity. The unique character to seek a preliminary explanation, to reproduce the subjective impression of objective things in the dance choreographer's mind. The creative style of the choreographer is closely and inseparably related to his own character. An excellent choreographer must have its own unique, profound and powerful dance language. The style and spirit of his dance works have both internal temperament and perception. Emotional recall, image thinking, will impulse and so on, and through the acquired practical experience, ideological tendency, ideology, artistic ability and other psychological characteristics, fully reflect the role of director, show the character of director. This paper discusses the inner spirit of dance creation style from the psychological angle of "character", and tries to explore the relationship between choreographer character and creative style by analyzing dance works. The main body of the thesis is divided into four chapters: the first chapter is an overview of the editorial personality and creative style, which systematically explains the three basic concepts of "character", "editing and directing" and "style". On the basis of exploring the types of dance styles and the characteristics of their creative styles, the author explores the internal relations between the three nouns. Chapter two, "the formation and Development of Editing character", This chapter mainly discusses the formation and development of personality from three aspects of biological factors, environmental factors and personality cultivation, and further extends to the problem of cultivating excellent personality from the formation and development of interpreting and directing personality. The third chapter, "the character embodiment of choreography in the creative style", mainly from the unique aesthetic view in the creative style. The unity of opposites between creative style and choreographer's character and the character elements of excellent works to promote the development of creative style are further discussed in this paper. Chapter four, "the role of Dance choreographer's character in promoting Creative style", further demonstrates the internal relationship between creative style and editorial character. This chapter mainly discusses the combination of authoring character and creative style to promote the development of creative style, make the style more distinctive, make dance style contain unique emotion, and finally determine the role of personality in the creative development of dance.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J711

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