新中國(guó)成立初期舞蹈家們的奮斗歷程——張毅、田靜訪談
發(fā)布時(shí)間:2018-05-05 22:00
本文選題:田靜 + 文藝隊(duì)伍 ; 參考:《舞蹈》2013年11期
【摘要】:正新中國(guó)成立后,百?gòu)U待興,迫切需要大批新鮮血液補(bǔ)充到文藝隊(duì)伍中。于是,原本是上海綢布莊伙計(jì)的張毅和在湖南戰(zhàn)時(shí)兒童保育院生活的田靜,都因?yàn)槲璧父淖兞嗣\(yùn),開始步入全新的藝術(shù)之路。藝術(shù)來(lái)源于生活,老一輩藝術(shù)家編創(chuàng)的作品正是來(lái)自于多年生活的積累,正因?yàn)槿绱?他們才能取得今天的藝術(shù)成就。父親是京劇演員,但是他過(guò)世很早,我由母親撫養(yǎng)長(zhǎng)大。從小家里比較貧寒,14歲小學(xué)畢業(yè)以后,我就去上海學(xué)做生意,到一個(gè)四開門面的綢布莊里當(dāng)學(xué)
[Abstract]:After the founding of New China, a lot of waste, urgent need to replenish a large number of fresh blood to the literary team. Therefore, Zhang Yi, who was originally a friend of Shanghai Silk cloth Zhuang, and Tian Jing, who lived in Hunan wartime Children's Care Home, began to enter a new art road because dance changed their fate. Art originates from life, and the works created by the older generation of artists come from the accumulation of years of life, which is why they can achieve today's artistic achievements. My father was a Peking Opera actor, but he died early and I was raised by my mother. After I graduated from primary school at the age of 14, I went to Shanghai to study and do business. I went to a silk cloth house with four facades to learn.
【作者單位】: 北京舞蹈學(xué)院舞蹈博物館;
【分類號(hào)】:J709.2
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本文編號(hào):1849468
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