發(fā)布時(shí)間：2018-04-14 05:26

  本文選題：陜北秧歌 + 文化生態(tài)��； 參考：《西安工業(yè)大學(xué)》2017年碩士論文

【摘要】：民間藝術(shù)是民間文化的主要表現(xiàn)形式和重要組成部分,是中國(guó)傳統(tǒng)文化中最活躍、最普遍、最通用的一種藝術(shù)形式,被稱為傳統(tǒng)文化、民間文化的"活化石"。陜北秧歌作為一種重要的民間藝術(shù)文化,來(lái)自陜北民間,是當(dāng)?shù)厝罕姳硌莸囊环N具有地方特色的民間舞蹈,它是在當(dāng)?shù)厣a(chǎn)生活的基礎(chǔ)上,經(jīng)過無(wú)數(shù)民間藝人與群眾的錘煉和創(chuàng)造而發(fā)展起來(lái)的。陜北秧歌的內(nèi)容反映了當(dāng)?shù)厝罕姷娘L(fēng)俗習(xí)慣、思想信仰、性格情感等,現(xiàn)如今已逐漸成為陜北人民生活中不可缺少的一項(xiàng)傳統(tǒng)民間舞蹈活動(dòng)。本文通過對(duì)陜北秧歌的歷史分期、發(fā)展現(xiàn)狀、發(fā)展困境及傳承發(fā)展等方面進(jìn)行詳細(xì)闡述,使人們認(rèn)識(shí)并了解陜北秧歌從而為保護(hù)和發(fā)展這一非物質(zhì)文化遺產(chǎn)做出努力,文章在實(shí)地調(diào)研的基礎(chǔ)上對(duì)陜北秧歌文化進(jìn)行了初步研究。本文以馬克思主義文化理論為基礎(chǔ),以文化生態(tài)為研究角度,對(duì)陜北秧歌的起源、發(fā)展、現(xiàn)狀及對(duì)策進(jìn)行了一系列的理論和實(shí)踐研究。論文主要從六個(gè)章節(jié)展開,第一章主要介紹了論文研究的目的和意義、論文選題背景、國(guó)內(nèi)外研究現(xiàn)狀、立淪依據(jù)、研究思路、研究方法及研究的重難點(diǎn);第二部分是關(guān)于文化生態(tài)理論概述,系統(tǒng)闡述了文化生態(tài)的概念、構(gòu)成要素、基本表征等,對(duì)文化生態(tài)理論的相關(guān)內(nèi)容進(jìn)行了梳理和分析;第三部分是關(guān)于陜北秧歌的文化生態(tài)解析,主要明確了陜北秧歌產(chǎn)生的社會(huì)文化生態(tài)、分期以及文化價(jià)值;第四部分主要辯證分析了當(dāng)代陜北秧歌文化生態(tài)的發(fā)展現(xiàn)狀,從積極和困境兩方面對(duì)陜北秧歌文化生態(tài)進(jìn)行了對(duì)比,并從文化生態(tài)環(huán)境改變、文化價(jià)值缺失、傳承機(jī)制失衡三大方面對(duì)影響陜北秧歌文化生態(tài)的主要因素進(jìn)行了深層次的探究;第五部分是關(guān)于文化生態(tài)平衡與陜北秧歌傳承發(fā)展問題,主要在馬克思主義理論的指導(dǎo)下下,就文化生態(tài)的失衡與陜北秧歌傳承發(fā)展問題進(jìn)行了路徑選擇分析。本文在文化生態(tài)視角下,意在通過探索陜北秧歌與文化生態(tài)之間的聯(lián)系,尋求陜北秧歌傳承發(fā)展的有效路徑,從非物質(zhì)文化遺產(chǎn)層面對(duì)陜北秧歌進(jìn)行傳承與發(fā)展,以此來(lái)提高研究者對(duì)陜北秧歌文化的關(guān)注度,使其意識(shí)到陜北秧歌傳承發(fā)展中文化主體應(yīng)承擔(dān)的責(zé)任,有利于更好地規(guī)范文化主體自身的行為,促進(jìn)陜北秧歌文化的傳承和發(fā)展,弘揚(yáng)中華民族傳統(tǒng)文化。
[Abstract]:Folk art is the main form and important component of folk culture. It is the most active, universal and universal art form in Chinese traditional culture. It is called the "living fossil" of traditional culture and folk culture.As an important folk art culture, Yangko from Northern Shaanxi is a kind of folk dance with local characteristics performed by local people. It is based on local production and life.After countless folk artists and the masses of practice and creation and development.The content of Yangko in Northern Shaanxi reflects the customs, beliefs, personality and emotion of the local people, and now it has gradually become an indispensable traditional folk dance activity in the life of the people in Northern Shaanxi.In this paper, the historical stages, the present development situation, the difficulties of development and the inheritance and development of Yangko in Northern Shaanxi are expounded in detail, so that people can understand and understand the Yangko in Northern Shaanxi and make great efforts to protect and develop this intangible cultural heritage.On the basis of field investigation, this paper makes a preliminary study on the Yangge culture in northern Shaanxi.Based on Marxist cultural theory and cultural ecology, this paper makes a series of theoretical and practical studies on the origin, development, present situation and countermeasures of Yangko in Northern Shaanxi.The first chapter mainly introduces the purpose and significance of the research, the background of the selected topic, the current research situation at home and abroad, the basis of the research, the research ideas, the research methods and the important and difficult points of the research.The second part is about the cultural ecology theory outline, elaborated the cultural ecology concept, the constituent factor, the basic representation systematically, has carried on the combing and the analysis to the cultural ecology theory related content;The third part is about the cultural ecology analysis of Yangko in northern Shaanxi, which mainly clarifies the social and cultural ecology, stages and cultural value of Yangko in Northern Shaanxi. The fourth part mainly dialectically analyzes the current situation of the development of cultural ecology of Yangko in northern Shaanxi.This paper compares the cultural ecology of Yangge in Northern Shaanxi from two aspects: positive and difficult, and changes the cultural ecological environment and lacks the cultural value.The three main factors that affect the cultural ecology of Yangko in Northern Shaanxi are deeply explored in three aspects: the fifth part is about the balance of cultural ecology and the development of Yangko inheritance in Northern Shaanxi, mainly under the guidance of Marxist theory.This paper analyzes the imbalance of cultural ecology and the development of Yangko inheritance in Northern Shaanxi.From the perspective of culture and ecology, this paper aims to explore the relationship between Yangko and cultural ecology in Northern Shaanxi, to seek the effective path of inheritance and development of Yangko in Northern Shaanxi, and to carry on the inheritance and development of Yangko in Northern Shaanxi from the perspective of intangible cultural heritage.In order to raise the attention of the researchers to the Yangko culture in northern Shaanxi, to make them realize the responsibility of the cultural subject in the development of the Yangko inheritance and development in the north of Shaanxi, which is conducive to better standardizing the behavior of the cultural subject itself.To promote the inheritance and development of Yangge culture in northern Shaanxi and to carry forward the traditional culture of the Chinese nation.
【學(xué)位授予單位】：西安工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.211

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 薛曉旭;;非物質(zhì)文化遺產(chǎn)視域下陜北秧歌的傳承和保護(hù)探究[J];林區(qū)教學(xué);2016年05期

2 于麗;;陜北秧歌歷史變遷與發(fā)展舉措[J];人民論壇;2016年05期

3 薛曉旭;;關(guān)于陜北秧歌文化生態(tài)系統(tǒng)的發(fā)展研究[J];黃河之聲;2016年03期

4 曹慧君;;分析陜北秧歌的起源、嬗變及在舞蹈教學(xué)中的運(yùn)用[J];北方音樂;2015年21期

5 張芳;;隴東秧歌動(dòng)作符號(hào)的文化解讀[J];隴東學(xué)院學(xué)報(bào);2015年06期

6 于麗;;論陜北秧歌的政策平臺(tái)和保護(hù)舉措[J];戲劇之家;2015年05期

7 于麗;;論陜北秧歌的地緣環(huán)境和原生狀態(tài)[J];黃河之聲;2015年01期

8 路鳳萍;朱科;;健身秧歌文化的流變探討[J];體育文化導(dǎo)刊;2014年06期

9 季中揚(yáng);;陜北秧歌的百年遭遇與民間藝術(shù)的現(xiàn)代命運(yùn)[J];藝術(shù)百家;2014年01期

10 高志奇;閆莉莉;;對(duì)陜北秧歌文化變遷的思考[J];教育文化論壇;2013年05期

相關(guān)博士學(xué)位論文 前1條

1 徐建;當(dāng)代中國(guó)文化生態(tài)研究[D];華東師范大學(xué);2008年

相關(guān)碩士學(xué)位論文 前9條

1 劉佳;文化認(rèn)同視角下陜北民間藝術(shù)的當(dāng)代價(jià)值研究[D];西安工業(yè)大學(xué);2015年

2 沈絢楠;綏德縣非物質(zhì)文化遺產(chǎn)的傳承與保護(hù)研究[D];中國(guó)藝術(shù)研究院;2015年

3 李建潔;論陜北秧歌場(chǎng)圖的當(dāng)代美育實(shí)踐[D];北京舞蹈學(xué)院;2015年

4 高晶;榆林保寧堡老秧歌調(diào)查報(bào)告[D];中國(guó)藝術(shù)研究院;2014年

5 李耀;文化生態(tài)視角下陜北民間藝術(shù)的當(dāng)代價(jià)值研究[D];西安工業(yè)大學(xué);2014年

6 張文娟;延安新秧歌運(yùn)動(dòng)研究[D];重慶師范大學(xué);2013年

7 崔珊;陜北綏德秧歌的歷史演進(jìn)與藝術(shù)特征研究[D];陜西師范大學(xué);2012年

8 張?zhí)m芳;陜北民歌傳承與發(fā)展研究[D];西安建筑科技大學(xué);2012年

9 葉婭丹;中國(guó)秧歌的社會(huì)功能研究與地方健身秧歌的創(chuàng)作構(gòu)想[D];福建師范大學(xué);2008年

，

本文編號(hào)：1747914