本文選題：舞蹈遺存　切入點(diǎn)：原始圖騰崇拜　出處：《四川戲劇》2017年09期 　論文類型：期刊論文

【摘要】：彝族自古以來將虎作為本民族的原始圖騰,至今流傳在我國(guó)云南彝族的"虎舞",既是彝族先民早期萬物有靈觀念與自然崇拜的產(chǎn)物,也與他們的思維方式、審美觀念等息息相關(guān),該舞蹈的產(chǎn)生更與其民族的圖騰崇拜文化有著必然的聯(lián)系。本文圍繞云南彝族"虎舞",分析其產(chǎn)生與表現(xiàn)的風(fēng)格,探討蘊(yùn)含的民族文化及價(jià)值,以做好對(duì)舞蹈遺存的傳承與保護(hù)工作。
[Abstract]:Since ancient times, the Yi people have regarded the tiger as the primitive totem of their own nation, and the tiger dance, which has been spread in Yunnan, is not only the product of the Yi people's early animism and natural worship, but also the way of their thinking. The appearance of the dance is closely related to the culture of totem worship of its nationality. This paper focuses on the "tiger dance" of the Yi nationality in Yunnan, analyzes the style of its emergence and expression, and probes into the national culture and value contained therein. In order to do a good job in the inheritance and protection of dance remains.
【作者單位】： 四川大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J722.22

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本文編號(hào)：1589081