本文關(guān)鍵詞： 白族《創(chuàng)世紀(jì)》 民間敘事 洱源西山 打歌 歌謠研究　出處：《云南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：白族“打歌”在《白族文學(xué)史》中被提及,同時(shí)著作中已呈現(xiàn)出50年代學(xué)者們?cè)诎鬃宓貐^(qū)對(duì)白族“打歌”的搜集和整理成果。雖然在所調(diào)查的文獻(xiàn)資料中我們對(duì)白族“打歌”的情況有大致的了解,但將白族“打歌”還原于生活文化之中的調(diào)查研究并不多。 白族創(chuàng)世史詩《創(chuàng)世紀(jì)》作為白族人民的根譜,它承載了白族人民優(yōu)良的歷史文化傳統(tǒng),是白族人民集體智慧的結(jié)晶。當(dāng)下的白族史詩《創(chuàng)世紀(jì)》作為白族“打歌”的重要組成部分得以存續(xù),特別是在洱源西山白族地區(qū),人們把打唱《創(chuàng)世史詩》作為傳承歷史、緬懷祖先的重要途徑,有“不打歌,則失了譜”的說法。筆者常年生活在白族地區(qū),并多次走訪于西山白族地區(qū),對(duì)當(dāng)?shù)厝藗兊纳罘绞接休^全面的了解,進(jìn)而引發(fā)了筆者對(duì)這一選題的興趣,如何將民間敘事跳出純文本形式的研究,而將其置身于當(dāng)?shù)厝藗兊纳钗幕惺潜疚难芯亢驼{(diào)查的關(guān)鍵所在。 本文采取現(xiàn)場(chǎng)調(diào)查和參與的方式,對(duì)洱源西山白族的“打歌”的內(nèi)容和“場(chǎng)景化”的語境敘事構(gòu)成形式,以及對(duì)白族打歌的歷史進(jìn)行回顧并分析其社會(huì)功能,重點(diǎn)對(duì)當(dāng)下白族“打歌”的現(xiàn)狀進(jìn)行調(diào)查和分析,同時(shí)對(duì)白族“打歌”的未來發(fā)展走向有了一定的認(rèn)識(shí)。進(jìn)而得出雖然當(dāng)下白族“打歌”在白族地區(qū)己不是必要的娛樂方式,其發(fā)展呈現(xiàn)出式微的趨勢(shì),但其對(duì)當(dāng)?shù)厝藗兊纳a(chǎn)、生活甚至價(jià)值觀、心理結(jié)構(gòu)等方面都有不同程度的影響這樣的結(jié)論。 將白族“打歌”的研究還原于與本民族息息相關(guān)的生活文化之中,以彌補(bǔ)對(duì)白族“打歌”的研究方式單一、搜集和整理范式的不足是本文的研究目的和價(jià)值所在。
[Abstract]:Bai nationality's "playing songs" is mentioned in the History of Bai nationality Literature. At the same time, it has been shown in 50s that scholars collected and collated the songs of Bai nationality in the area of Bai nationality, although we have a general understanding of the situation of "playing songs" of Bai nationality in the literature we investigated. However, there are few investigations and studies on restoring Bai nationality's "playing songs" to life culture. As the root spectrum of the Bai people, the creation epic of Bai nationality (Genesis) bears the fine historical and cultural tradition of the Bai people. It is the crystallization of the collective wisdom of the Bai people. The present Bai epic, Genesis, as an important part of the Bai nationality's "playing songs", has survived, especially in the Western Mountain area of Eryuan. People regard "creation epic" as an important way to inherit history and remember their ancestors. There is a saying that "if you don't play songs, you lose your music". I live in Bai nationality area all year round and visit the Bai nationality area of Xishan many times. On the local people have a more comprehensive understanding of the way of life, and then triggered the author of this topic of interest, how to folk narrative out of the pure text of the study. It is the key of the research and investigation to put it in the local people's life culture. This paper adopts the way of on-the-spot investigation and participation to review and analyze the content of "playing songs" and the narrative form of context of "scene" of Bai nationality in Eryuan Xishan, as well as the history of the songs of Bai nationality and its social function. Focus on the current Bai "hit song" status of investigation and analysis. At the same time, there is a certain understanding of the future development trend of the Bai nationality "playing songs", and then we can draw a conclusion that although the Bai nationality "playing songs" is not a necessary entertainment mode in the Bai nationality area, its development is showing a trend of decline. But it has different influence on local people's production, life and even values, psychological structure and so on. The study of "playing songs" of Bai nationality is restored to the living culture which is closely related to this nationality, in order to make up for the single research way of "playing songs" of Bai nationality. The purpose and value of this paper is to collect and collate the deficiency of paradigm.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J722.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 王霄冰;;文字、儀式與文化記憶[J];江西社會(huì)科學(xué);2007年02期

2 王群;箭桿場(chǎng)地區(qū)“打歌”調(diào)查[J];民族藝術(shù)研究;1989年04期

3 李子賢;;從創(chuàng)世神話到創(chuàng)世史詩——中國(guó)西南地區(qū)產(chǎn)生創(chuàng)世史詩群落的闡釋[J];百色學(xué)院學(xué)報(bào);2010年02期

4 覃乃昌;;我國(guó)南方少數(shù)民族創(chuàng)世神話創(chuàng)世史詩豐富與漢族沒有發(fā)現(xiàn)創(chuàng)世神話創(chuàng)世史詩的原因——盤古神話來源問題研究之八[J];廣西民族研究;2007年04期

5 趙繼紅;;試論列維—斯特勞斯《對(duì)神話作結(jié)構(gòu)的研究》[J];黑河學(xué)刊;2010年12期

6 楊秉禮;;白族打歌《創(chuàng)世記》源流初探[J];民族文學(xué)研究;1987年S1期

7 理查德·鮑曼;楊利慧;;“表演”的概念與本質(zhì)[J];西北民族研究;2008年02期

8 孟慧英;語境中的民俗[J];民間文化論壇;2004年06期

9 巴莫曲布嫫;敘事語境與演述場(chǎng)域——以諾蘇彝族的口頭論辯和史詩傳統(tǒng)為例[J];文學(xué)評(píng)論;2004年01期

10 楊利慧;民間敘事的傳承與表演[J];文學(xué)評(píng)論;2005年02期

，

本文編號(hào)：1446750