大草創(chuàng)作摭談
發(fā)布時(shí)間:2018-05-14 23:41
本文選題:摭談 + 動(dòng)態(tài)藝術(shù); 參考:《中國(guó)書(shū)法》2017年07期
【摘要】:正大草之難,首先是速度的充分展現(xiàn),使書(shū)法不僅僅表現(xiàn)靜態(tài)美,還附著極強(qiáng)的時(shí)間性,堪比肩于其他動(dòng)態(tài)藝術(shù),并且相對(duì)于其他書(shū)體,速度加快了,而其內(nèi)涵的要求并沒(méi)有減少,難度系數(shù)自然提高了許多,此是其一;大字氣勢(shì)所需的"金石氣",強(qiáng)調(diào)挫鋒殺紙的筆法,與大草連綿暢達(dá)的筆速構(gòu)筑了一對(duì)兩難的矛盾關(guān)系,運(yùn)筆抗阻力的要求也相比其他書(shū)體更顯艱難,此其二;大草的章法如交響樂(lè),有高潮、低谷、平緩之別,忌一韻而到底。營(yíng)造氛圍,烘托出彩點(diǎn),足令書(shū)者撓耳
[Abstract]:First of all, the full display of speed makes calligraphy not only show the static beauty, but also attach a strong timeliness, comparable to other dynamic art, and compared with other books, the speed has been accelerated. However, the requirements for its connotation have not been reduced, and the difficulty coefficient has naturally increased. This is one; the "gold and stone gas" required by the momentum of large Chinese characters, emphasizing the stroke method of beating the front and killing the paper, has constructed a pair of contradictory relations between the speed of the pen and the speed at which the grass continues to reach the point of view. The resistance of writing is also more difficult than other books. Second, the composition of grass, such as symphonies, high, low, gentle, avoid a rhyme to the end. Create the atmosphere, contrast the bright spot, enough to make the book scratching the ear
【作者單位】: 福建省書(shū)協(xié);泉州市書(shū)協(xié);石獅市書(shū)協(xié);石獅市政協(xié)之友書(shū)畫(huà)院;
【分類號(hào)】:J292.1
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