本文選題：民族建筑 + 審美趣味　； 參考：《美術界》2005年01期

【摘要】：本文從斗拱的二重性,即結構和裝飾性,在各個歷史時期所產生的變化,體現(xiàn)了不同時期人們審美趣味的轉化。特別是在近現(xiàn)代,斗拱演變成各種不同的面貌,雖然有"虛假"、"冒充"之嫌,也存在著承重和裝飾的作用,是置于裝飾而隱于結構之中,與唐宋之風相反,人們審美趣味產生了轉變。當今隨著建筑的機器大生產,裝飾與結構被趕到兩個極端,結構與裝飾相脫離,中國建筑特色的不為裝飾的裝飾之道也隨之送盡。只有恢復中國建筑文化的思想,保持本土建筑文化維護其原有特質,中國建筑才有民族性,只有建筑的民族性,才有國際性。并以此來探討當代中國建筑的新審美趣味。
[Abstract]:From the duality of bucket arch, that is, structure and decoration, the changes in each historical period reflect the transformation of people's aesthetic taste in different periods.Especially in modern times, the bucket arch has evolved into various faces. Although it is "false" and "impersonated", it also has the function of bearing weight and decoration. It is placed in decoration and hidden in the structure, contrary to the wind of Tang and Song dynasties.People's aesthetic taste has changed.Nowadays, with the large-scale production of architecture machinery, decoration and structure are driven to the two extremes, structure and decoration are separated from each other.Only by restoring the thought of Chinese architectural culture and maintaining the native architectural culture to maintain its original characteristics can Chinese architecture have a national character and only the national character of a building can have an international character.And to explore the contemporary Chinese architecture of the new aesthetic taste.
【分類號】：J50
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本文編號：1757180