【摘要】：多米尼科·斯卡拉蒂創(chuàng)作的555首鍵盤奏鳴曲，概括和發(fā)展了當時古鋼琴音樂創(chuàng)作和演奏技巧的成就，極大地豐富和提高了這一樂器的表現(xiàn)力。近半個世紀以來，隨著斯卡拉蒂奏鳴曲手稿的不斷發(fā)現(xiàn)與研究，音樂界正越來越強調(diào)其作品的獨特地位及珍貴的學術(shù)價值。當前大部分有關(guān)研究斯卡拉蒂鍵盤奏鳴曲的文章都是從鋼琴的角度出發(fā)，對其風格及演奏方法等方面進行的研究，而在手風琴演奏斯卡拉蒂奏鳴曲方面的文獻卻非常少。 本文主要對斯卡拉蒂奏鳴曲的結(jié)構(gòu)和聲、創(chuàng)作手法等方面進行了概括總結(jié)，對其作品的風格特點進行了分類，對手風琴在演奏其作品時，在變音器、風箱、觸鍵上的運用及風格上的把握作了具體分析，并在演奏與教學上提出了一些自己的建議。希望更多的人能去了解和研究手風琴在演奏斯卡拉蒂奏鳴曲風格上的特點，特別是自由低音手風琴，，從而充分發(fā)揮手風琴的優(yōu)勢和特點，讓更多的人能夠從不同的樂器演奏中欣賞到不同韻味的斯卡拉蒂奏鳴曲。
[Abstract]:Dominique Scarlatti's 555 keyboard sonatas generalize and develop the achievements of the ancient piano music creation and performance skills and greatly enrich and improve the performance of this instrument. In the past half century, with the discovery and research of Scarlatti Sonata manuscripts, the music industry is emphasizing the unique status and valuable academic value of his works. At present, most of the articles about Scarlatti's keyboard sonata are from the perspective of piano, such as its style and playing method, but the literature on accordion playing Scarlatti sonata is very few. In this paper, the structure and harmony of Scarlatti sonata are summarized, the style and characteristics of his works are classified, and the accordion, when playing its work, is in the muffle, bellows, etc. This paper analyzes the application and style of touch key, and puts forward some suggestions on playing and teaching. I hope that more people will understand and study the characteristics of the accordion in playing the style of Scarlatti sonata, especially the free bass accordion, so as to give full play to the advantages and characteristics of the accordion. So that more people can enjoy different musical instruments from different flavor Scarlatti sonata.
【學位授予單位】：首都師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J624.3

【引證文獻】

相關(guān)碩士學位論文 前3條

1 徐彬;通過四首斯卡拉蒂鍵盤奏鳴曲看其演奏技巧與特點[D];中國音樂學院;2011年

2 李丹;斯卡拉蒂奏鳴曲在巴揚手風琴中的運用及技巧研究[D];哈爾濱師范大學;2012年

3 邵悅冰;斯卡拉蒂奏鳴曲在鍵盤手風琴演奏中應注意的幾個問題[D];西北師范大學;2012年

本文編號：2139050