本文選題：重慶土家族 + 歌舞文化�。� 參考：《中國音樂》2015年04期

【摘要】：重慶地區(qū)土家族人口眾多,分布相對集中,歷史上惡劣的自然條件和復(fù)雜的社會環(huán)境深刻地影響著其歌舞文化的傳播內(nèi)涵。本文以"傳播儀式觀"的理論和觀念為基礎(chǔ),認(rèn)為該地區(qū)土家族歌舞文化具備行為主體、內(nèi)容、程序三個(gè)傳播要素,并對以酉陽陽戲、擺手舞、花燈為例的重慶土家族歌舞文化傳播模式、傳播要素進(jìn)行簡要描述、對比和分析。
[Abstract]:The Tujia nationality in Chongqing area has a large population and relatively concentrated distribution. The bad natural conditions and complex social environment in history have deeply affected the dissemination connotation of its singing and dancing culture. Based on the theory and concept of "communication ritual view", this paper holds that the Tujia nationality dance culture in this area has three elements of communication: behavior subject, content and procedure. Flower lantern as an example of Chongqing Tujia song and dance culture communication mode, communication elements are briefly described, compared and analyzed.
【作者單位】： 長江師范學(xué)院;
【基金】：重慶市教育委員會人文社會科學(xué)研究項(xiàng)目:“重慶地區(qū)少數(shù)民族音樂傳播研究”的階段性成果(項(xiàng)目編號:13SKP09)
【分類號】：J607
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本文編號：2025357