本文選題：梁皇寶懺　切入點：表面層次佛教音樂　出處：《武漢音樂學(xué)院》2006年碩士論文

【摘要】： 本文運用民族音樂學(xué)的研究方法,在實地調(diào)查的基礎(chǔ)上,對歸元禪寺分院景德寺的水陸法會儀式作了較為詳盡的考察報告;對外壇梁皇寶懺和內(nèi)壇告赦儀式及音樂進行細致的梳理和記譜;并從儀式功能的角度對外壇梁皇寶懺和內(nèi)壇告赦儀式音樂進行了分析,得出歸元禪寺下屬分院景德寺外壇梁皇寶懺儀式音樂屬于儀式表面層次的佛教音樂①,而內(nèi)壇的告赦儀式則屬于儀式核心層次的佛教音樂①。
[Abstract]:On the basis of field investigation, this paper makes a detailed investigation report on the ritual of Jingdeji Temple of Guiyuan Zen Temple by using the research method of ethomusicology.Liang Huangbao repentance on the external altar and the pardoning ceremony and music of the inner altar were carefully combed and recorded, and the ritual music of Liang Huangbao repentance and the pardoning ceremony of the inner altar were analyzed from the angle of the ritual function.It is concluded that the ritual music of Liang Huangbao's repentance ceremony belongs to the Buddhist music on the surface level of the ceremony, while the absolution ceremony of the inner altar belongs to the Buddhist music of the core level of the ceremony.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J608

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 詹晶晶;國恩寺水陸法會“放焰口”儀式音聲的考察研究[D];星海音樂學(xué)院;2013年

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本文編號：1706543