本文關(guān)鍵詞： 中國(guó)傳統(tǒng)音樂(lè) 鋼琴改編曲 音樂(lè)分析 藝術(shù)特色 民族風(fēng)格　出處：《西北師范大學(xué)》2005年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)鋼琴音樂(lè)經(jīng)歷了建國(guó)前、建國(guó)初期、文化大革命和當(dāng)代這些不同歷史時(shí)期,從無(wú)到有,從萌芽到蓬勃發(fā)展,逐步走向繁榮,呈現(xiàn)出創(chuàng)作風(fēng)格多元化,音樂(lè)內(nèi)容多樣化的可喜態(tài)勢(shì)。在這個(gè)過(guò)程中,我國(guó)作曲家不斷融匯、消化西方的創(chuàng)作技法,在西方的樂(lè)器——鋼琴上創(chuàng)作與發(fā)展了具有民族特色風(fēng)格的音樂(lè)作品。其中,根據(jù)傳統(tǒng)器樂(lè)曲改編的鋼琴曲以其濃郁的民族風(fēng)格和氣質(zhì)確立了其在中國(guó)鋼琴音樂(lè)創(chuàng)作中的重要地位。 本文以五首具有代表性的傳統(tǒng)器樂(lè)曲改編的鋼琴曲為研究對(duì)象,分析探討其創(chuàng)作手法和藝術(shù)特色以及對(duì)中國(guó)傳統(tǒng)音樂(lè)的繼承再現(xiàn)與發(fā)展更新,肯定此類樂(lè)曲在中國(guó)鋼琴音樂(lè)中的藝術(shù)價(jià)值。 論文分三大部分: 一、緒論:說(shuō)明傳統(tǒng)音樂(lè)改編曲在中國(guó)鋼琴音樂(lè)中的重要地位以及研究這一課題的目的及意義,并概述本論題的主要內(nèi)容。 二、本論:是論文的主體部分,分三個(gè)部分進(jìn)行論述。 1、原曲與改編曲簡(jiǎn)介:介紹原曲的音樂(lè)內(nèi)容及演奏形式,簡(jiǎn)介五首鋼琴改編曲。 2、五首改編曲的音樂(lè)分析:對(duì)五首改編曲在曲式結(jié)構(gòu)、調(diào)式調(diào)性、和聲、旋律、織體等方面進(jìn)行分析。 3、五首改編曲創(chuàng)作方面的藝術(shù)特色:從四個(gè)方面總結(jié)了作曲家在創(chuàng)作鋼琴改編曲的過(guò)程中如何保留原曲的傳統(tǒng)民族特色,同時(shí)又盡可能地充分發(fā)揮鋼琴的優(yōu)越性而形成了改編曲在創(chuàng)作方面的特色:(1) 中國(guó)傳統(tǒng)音樂(lè)標(biāo)題引用的文學(xué)性特征,(2) 曲式結(jié)構(gòu)運(yùn)用的靈活性特征,(3) 中國(guó)傳統(tǒng)音樂(lè)主題的線性思維特征,(4)中國(guó)音樂(lè)“多聲化”思維的有益探索。 三、總結(jié):通過(guò)對(duì)五首改編曲的分析和研究,看中國(guó)鋼琴音樂(lè)的創(chuàng)作原則和創(chuàng)作方向,闡明本文研究的價(jià)值取向,并總結(jié)改編曲對(duì)中國(guó)鋼琴藝術(shù)發(fā)展的歷史意義和現(xiàn)實(shí)意義。
[Abstract]:Chinese piano music experienced before the founding of the people's Republic of China, the initial period of the founding of the people's Republic of China, the Cultural Revolution and the contemporary historical period, from scratch to vigorous development, gradually towards prosperity, showing a diversity of creative styles. In this process, the composers of our country constantly merge and digest the western creative techniques. In the western musical instrument-piano creation and development of the style of music with national characteristics. The piano music adapted from the traditional instrumental music has established its important position in the Chinese piano music creation with its strong national style and temperament. This paper takes the piano music adapted from five representative traditional instrumental music as the research object, analyzes and discusses its creative techniques and artistic characteristics, as well as the inheritance, reproduction and development of the Chinese traditional music. Affirm the artistic value of this kind of music in Chinese piano music. The thesis is divided into three parts: 1. Introduction: explain the important position of traditional music adaptation in Chinese piano music, the purpose and significance of studying this subject, and summarize the main contents of this thesis. Second, this theory: is the main part of the paper, divided into three parts to discuss. 1. Introduction to the original and adapted music: the music content and performance form of the original music, and five piano adaptations. 2. Music analysis of five adaptations: this paper analyzes the musical structure, modulation, harmony, melody and texture of the five adaptations. (3) the artistic characteristics of the composition of the five adaptations: from four aspects, the author summarizes how the composer retains the traditional national characteristics of the original music in the process of creating the piano adaptation. At the same time, as far as possible to give full play to the superiority of the piano, formed the adapted music in the creation of the characteristics of the literary characteristics of the title of traditional Chinese music quoted. 3) the linear thinking characteristics of Chinese traditional music theme and (4) the beneficial exploration of "polyphonic" thinking in Chinese music. Third, summing up: through the analysis and research of the five adapted songs, the author looks at the creative principles and direction of Chinese piano music, and clarifies the value orientation of this study. And summarize the historical and practical significance of the music adaptation to the development of Chinese piano art.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 李寧;陳培勛粵調(diào)鋼琴曲的民族化特征研究[D];東北師范大學(xué);2007年

，

本文編號(hào)：1457056