本文選題：跳覡　切入點：興國山歌　出處：《中國藝術(shù)研究院》2010年碩士論文

【摘要】： 跳覡儀式是江西贛南地區(qū)興國縣的一種古老的民俗活動,至今仍活躍于民間,主要是為幼兒、婦女這類人群祈求奶娘保佑與繁衍生育相關(guān)的愿事。它集儀式音樂和世俗音樂于一體,本文通過其儀式窺探興國的地方信仰文化,并研究興國山歌作為當(dāng)?shù)孛耖g音樂的重要部分,其在信仰與社會環(huán)境中的生存狀態(tài)。 本文以跳覡“藏禁”儀式為例,從民族音樂學(xué)的視角詳細記錄個案的儀式過程；通過儀式執(zhí)行人的采訪實錄整理他們的個人傳記,分析他們的身份變化與儀式之間的張力關(guān)系；通過對儀式音樂的本體分析,揭示儀式音樂與興國山歌之間的關(guān)系；最后從非物質(zhì)文化遺產(chǎn)保護的角度談興國山歌與跳覡的聯(lián)系,并結(jié)合國家政策與民間概念,闡釋興國山歌的不同涵義。
[Abstract]:As an ancient folklore in Xingguo County in southern Jiangxi Province, the ceremony is still active in the folk, mainly for young children. Women, such as women, pray for breeders to bless the vows related to reproduction and reproduction. It combines ritual music with secular music. Through its rituals, this article explores the local faith culture of rejuvenating the country. And study Xingguo folk songs as an important part of local folk music, its living state in the belief and social environment. This paper takes the ceremony of "hiding and banning" as an example, records the ritual process of the case from the perspective of ethnomusicology, and collates their personal biographies through the interview of the ritual executor. This paper analyzes the tension relationship between their identity changes and rituals, reveals the relationship between ritual music and Xingguo folk songs through the Noumenon analysis of ritual music, and finally discusses the relationship between Xingguo folk songs and the hoppers from the perspective of the protection of intangible cultural heritage. Combined with national policy and folk concept, explains the different meaning of Xingguo folk song.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J607

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 肖艷平;寧都縣石上割雞儀式音樂的調(diào)查與研究[D];中國藝術(shù)研究院;2011年

2 趙學(xué)武;泰寧道教科儀音樂研究[D];福建師范大學(xué);2013年

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本文編號：1657968