本文選題：美聲歌唱　切入點(diǎn)：藏族聲樂演唱藝術(shù)　出處：《西藏大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 自二十世紀(jì)初美聲歌唱傳入我國以來,這種建立在科學(xué)發(fā)聲體系上的演唱方法受到了廣泛的接受和喜愛,并深入地與專業(yè)演唱中的漢民族民歌演唱方法相結(jié)合,形成了我們現(xiàn)在聽到的被稱為“民族唱法”的專業(yè)演唱體系,將我國民族聲樂演唱的水平提高到了一個新臺階。近年來,美聲歌唱和藏族聲樂演唱藝術(shù)也開始契合發(fā)展,產(chǎn)生了我們現(xiàn)在聽到的藏族創(chuàng)作歌曲和由專業(yè)演員演唱的部分經(jīng)典民歌的演唱形式,可以說形成了一種新的演唱風(fēng)格,而且在西藏藝術(shù)舞臺上先后涌現(xiàn)出了一大批接受過系統(tǒng)專業(yè)演唱訓(xùn)練的優(yōu)秀歌唱演員。但同時,我們也看到,因?yàn)樽匀画h(huán)境、文化背景、審美特征、語言等因素的不同,這樣的契合也存在著這樣那樣的問題。因此,本文擬以美聲歌唱與藏族聲樂演唱的比較作為切入點(diǎn),從歷史淵源、發(fā)展現(xiàn)狀、審美特征、演唱技法等方面加以比較并對其進(jìn)行分析研究,在充分尊重藝術(shù)發(fā)展規(guī)律的前提下,探討兩種唱法的相互借鑒,契合發(fā)展的有效途徑。 文章的前言概述了兩種歌唱比較研究的研究現(xiàn)狀,以及研究的目的、意義與方法。接著分別介紹了美聲歌唱和藏族聲樂演唱藝術(shù)的歷史淵源和發(fā)展現(xiàn)狀;分析了兩種歌唱各自獨(dú)特的文化內(nèi)涵和審美特征,并在此基礎(chǔ)上對兩種歌唱形式在審美特征上的異同做了比較分析;用不同的方法分析了兩種歌唱形式在演唱技法上的特點(diǎn),并就此進(jìn)行了比較分析;通過前面幾個部分的分析,對兩種歌唱形式的相互借鑒、契合發(fā)展的可能性進(jìn)行了探討。
[Abstract]:Since its introduction into China in 20th century, this singing method, which is based on the scientific vocal system, has been widely accepted and loved, and has been deeply combined with the folk singing method of Han nationality in professional singing. The professional singing system that we now hear is called the "folk singing method", which has raised the level of Chinese national vocal music to a new level. In recent years, the art of beautiful singing and Tibetan vocal music has also begun to fit in with the development. The form of singing the Tibetan songs we hear now and some of the classic folk songs sung by professional actors can be said to form a new singing style. Moreover, a large number of outstanding singers who have received systematic professional training have emerged on the Tibetan art stage. But at the same time, we also see that because of the differences in natural environment, cultural background, aesthetic characteristics, language, and so on, Therefore, this paper intends to take the comparison between the beautiful singing and the Tibetan vocal music as the starting point, from the historical origin, the development present situation, the esthetic characteristic, the historical origin, the development present situation, the esthetic characteristic, the historical origin, the development present situation, the esthetic characteristic, On the premise of fully respecting the law of art development, this paper discusses the effective ways to learn from each other and fit in with the development of the two singing techniques. The foreword of the article summarizes the research status quo, purpose, significance and method of the two comparative studies of singing, and then introduces the historical origin and development status of the singing art of the beautiful singing and the Tibetan vocal music respectively. This paper analyzes the unique cultural connotation and aesthetic characteristics of the two singing forms, and on this basis makes a comparative analysis of the similarities and differences in the aesthetic characteristics of the two singing forms, and analyzes the characteristics of the two singing forms in the singing techniques with different methods. Through the analysis of the previous several parts, the paper discusses the possibility of the two singing forms' mutual reference and the corresponding development.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J616

【共引文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 熊秋玲;才旦卓瑪?shù)母璩囆g(shù)及其貢獻(xiàn)[D];河南大學(xué);2006年

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本文編號：1633566