本文選題：“亂云飛” + 二黃主腔　； 參考：《中國音樂》2010年03期

【摘要】："亂云飛"作為戲曲音樂創(chuàng)作中呈現(xiàn)的一種既繼承傳統(tǒng),又別于傳統(tǒng)的新創(chuàng)造的范例,在音樂創(chuàng)作的具體技術(shù)層面上,其中傳統(tǒng)二黃主腔與新創(chuàng)柯湘主題之間有何具體的同異關(guān)系?特別是對于柯湘主題來說,創(chuàng)作者是如何設(shè)計其"既新穎獨特、又聯(lián)接傳統(tǒng)"特征的?二黃主腔與柯湘主題之間的過渡或交融又是如何處理的?這些問題,都需要作進(jìn)一步的具體分析。
[Abstract]:As a kind of inheriting tradition and different from the traditional new creation example, "chaos cloud fly" is presented in the traditional music creation, in the concrete technical level of the music creation,What are the specific similarities and differences between the traditional Erhuang main cavity and the newly created Kexiang theme?Especially for the theme of Ke Xiang, how did the creator design its "novel and unique, but also connected with the traditional" characteristics?How to deal with the transition or blending between the main cavity of the second Yellow River and the theme of Ke Xiang?All these problems need further concrete analysis.
【作者單位】： 華南師大音樂學(xué)院;內(nèi)江市陽光學(xué)校;
【分類號】：J617.5
，

本文編號：1768722