【摘要】：王朝聞美學研究60年是一個否定和重構(gòu)的歷程,他的美學思想始終貫穿著對主體和客體分裂的形而上思想的批判,這種批判表現(xiàn)在三個領(lǐng)域,即藝術(shù)創(chuàng)造、審美欣賞、理論研究,而他的美學思想就在批判中建構(gòu)�？偟恼f來他的美學思想有四個方面的內(nèi)容:審美主體和審美客體的關(guān)系;藝術(shù)的古今關(guān)系;民族性和世界性的關(guān)系;藝術(shù)雅俗的關(guān)系。而這四個方面的關(guān)系研究又主要以審美關(guān)系中的主客體的研究為中心展開,基本可以分為四個時期,分別以藝術(shù)創(chuàng)造、藝術(shù)欣賞、審美關(guān)系、審美人生為研究的重心。而這四個時期始終以審美主體的存在為核心內(nèi)容,分別探討了典型與典型環(huán)境、欣賞者和藝術(shù)、審美主體和審美客體、藝術(shù)和生活等內(nèi)容,強調(diào)人和人、人和世界、人和
[Abstract]:Wang Chaowen's aesthetic research has been a course of negation and reconstruction for 60 years. His aesthetic thought has always run through the criticism of the metaphysical thought of the division of subject and object, which is manifested in three fields, namely, artistic creation, aesthetic appreciation and theoretical research, and his aesthetic thought is constructed in criticism. Generally speaking, his aesthetic thought has four aspects: the relationship between aesthetic subject and aesthetic object; the ancient and modern relationship of art; the relationship between nationality and the world; and the relationship between artistic elegance and vulgarity. The research on the relationship between these four aspects is mainly centered on the study of subject and object in aesthetic relationship, which can be divided into four periods, focusing on artistic creation, artistic appreciation, aesthetic relationship and aesthetic life. In these four periods, the existence of aesthetic subject has always been taken as the core content, and the typical and typical environment, appreciator and art, aesthetic subject and aesthetic object, art and life, etc., have been discussed respectively, emphasizing people and people, people and the world, people and people.
【作者單位】： 山東師范大學文學院
【分類號】：B83-06

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