在斷層和廢墟上重構(gòu)中國(guó)美學(xué)大廈
發(fā)布時(shí)間：2019-04-04 13:37
【摘要】：在中國(guó)現(xiàn)代美學(xué)史上,宗白華先生是一位開(kāi)拓者。他的開(kāi)拓意義集中地體現(xiàn)在以獨(dú)特的研究方法,成功地梳理和重新建構(gòu)了中國(guó)美學(xué)中藝境、美感等等美學(xué)思想體系,開(kāi)拓出中國(guó)古典美學(xué)轉(zhuǎn)換發(fā)展的新空間。他的美學(xué)思想已經(jīng)成為中國(guó)美學(xué)的寶貴財(cái)富,成就其美學(xué)思想的研究方法也理應(yīng)受到人們的重視。本文意在通過(guò)對(duì)宗先生美學(xué)的梳理,探悉其研究方法形成的背景、具體體現(xiàn)和其感性風(fēng)格以及對(duì)當(dāng)代美學(xué)發(fā)展的啟示。 首先,時(shí)代的責(zé)任感、民族學(xué)術(shù)的危機(jī)感促使宗先生形成了志在以中國(guó)古典美學(xué)為根基建構(gòu)中華現(xiàn)代美學(xué)的理想,中西美學(xué)差距的現(xiàn)狀又使得宗先生采取了吸納西方美學(xué)的理性成果的方式來(lái)促進(jìn)中國(guó)古典美學(xué)的轉(zhuǎn)換和發(fā)展。當(dāng)然,美學(xué)建構(gòu)理想的最終實(shí)現(xiàn)在很大程度上得益于宗先生中西融會(huì)的學(xué)養(yǎng)、詩(shī)性和理性的綜合能力。正是在這樣的社會(huì)和學(xué)術(shù)背景下,宗先生形成了自己獨(dú)特的研究方式方法:以中國(guó)古典美學(xué)為根基,以西方美學(xué)為參照,將西方美學(xué)的理性成果內(nèi)化在對(duì)中國(guó)古典美學(xué)的梳理和研究之中,促進(jìn)中國(guó)古典美學(xué)的現(xiàn)代轉(zhuǎn)換進(jìn)程。 其次、宗先生的美學(xué)思想成就充分地體現(xiàn)了其研究方法的價(jià)值和意義,本文就其哲學(xué)和美學(xué)中的幾個(gè)具體的問(wèn)題來(lái)探悉宗先生美學(xué)研究方法的具體表現(xiàn)。在哲學(xué)中,宗先生一方面積極介紹西方哲學(xué)思想,豐富中國(guó)美學(xué)的形而上根據(jù),另一方面,努力從中國(guó)哲學(xué)中挖掘中國(guó)美學(xué)的根源,為中國(guó)美學(xué)建構(gòu)堅(jiān)實(shí)的哲學(xué)根基。在美學(xué)中,宗先生借鑒西方思辯的方式極力梳理中國(guó)古典感性美學(xué)的思想,重新建構(gòu)中華美學(xué)的藝境、美感、美的本體等等具體思想體系,突出中華美學(xué)生命個(gè)性精神。 其三、宗先生的美學(xué)研究方式方法是理性的、潛在的,其價(jià)值不易被人們發(fā)現(xiàn),但其感性的風(fēng)格——散步美學(xué)的風(fēng)格卻顯在地體現(xiàn)了他的研究方法的價(jià)值和意義。本文就散步風(fēng)格形成的原因來(lái)探悉它和研究方法之間的內(nèi)在聯(lián)系,就散步風(fēng)格的特征和意義來(lái)探悉研究方法的獨(dú)特性和價(jià)值。 其四、美學(xué)實(shí)踐證明,宗先生為中國(guó)美學(xué)研究提供了一個(gè)經(jīng)典范例,其研究方法是獨(dú)特的,也是合理的。在中西文化再度大融和的當(dāng)代,這種研究方法因?yàn)槠渫怀龅暮侠硇?為中國(guó)當(dāng)代美學(xué)的發(fā)展在很多方面提供了啟示。
[Abstract]:In the history of modern Chinese aesthetics, Mr. Zong Baihua is a pioneer. His pioneering significance is embodied in his unique research method, which successfully combs and reconstructs the aesthetic thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling and so on, and opens up a new space for the transformation and development of Chinese classical aesthetics. His aesthetic thought has become the precious wealth of Chinese aesthetics, and the research method of his aesthetic thought should be paid attention to. The purpose of this paper is to probe into the background of the formation of his research methods, his perceptual style and the enlightenment to the development of contemporary aesthetics by combing his aesthetics. First of all, the sense of responsibility of the times and the sense of crisis in national learning prompted Mr. Zong to form the ideal of building modern Chinese aesthetics on the basis of Chinese classical aesthetics. The present situation of the gap between Chinese and western aesthetics makes Mr Zong adopt the way of absorbing the rational achievements of western aesthetics to promote the transformation and development of Chinese classical aesthetics. Of course, the ultimate realization of the ideal of aesthetic construction is greatly benefited from the combination of Chinese and Western learning, poetic and rational comprehensive ability. It is under such a social and academic background that Mr. Zong has formed his own unique research methods: based on Chinese classical aesthetics and taking western aesthetics as reference. The rational achievement of western aesthetics is internalized in the carding and research of Chinese classical aesthetics to promote the modern transformation process of Chinese classical aesthetics. Secondly, the achievements of Mr. Zong's aesthetic thoughts fully reflect the value and significance of his research methods. This paper probes into the concrete manifestations of Mr. Zong's aesthetic research methods on the basis of several specific problems in his philosophy and aesthetics. In philosophy, Mr. Zong, on the one hand, actively introduces the western philosophical thought, enriches the metaphysical basis of Chinese aesthetics, on the other hand, tries hard to excavate the root of Chinese aesthetics from Chinese philosophy, and constructs a solid philosophical foundation for Chinese aesthetics. In aesthetics, Mr. Zong tries his best to comb the Chinese classical perceptual aesthetics by drawing lessons from the western way of thinking, and reconstructs the concrete thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling, beauty ontology and so on, so as to highlight the life individuality spirit of Chinese aesthetics. Thirdly, Mr. Zong's aesthetic research method is rational, potential, and its value is not easy to be found, but his perceptual style-walking aesthetics style clearly reflects the value and significance of his research method. This paper explores the internal relationship between walking style and research methods, and explores the uniqueness and value of walking style on the basis of its characteristics and significance. Fourthly, aesthetic practice proves that Mr. Zong has provided a classic example for the study of Chinese aesthetics, and his research method is unique and reasonable. In the contemporary era where Chinese and Western cultures are once more harmonious, this research method, because of its outstanding rationality, provides inspiration for the development of Chinese contemporary aesthetics in many aspects.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：B83-092
本文編號(hào)：2453868
[Abstract]:In the history of modern Chinese aesthetics, Mr. Zong Baihua is a pioneer. His pioneering significance is embodied in his unique research method, which successfully combs and reconstructs the aesthetic thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling and so on, and opens up a new space for the transformation and development of Chinese classical aesthetics. His aesthetic thought has become the precious wealth of Chinese aesthetics, and the research method of his aesthetic thought should be paid attention to. The purpose of this paper is to probe into the background of the formation of his research methods, his perceptual style and the enlightenment to the development of contemporary aesthetics by combing his aesthetics. First of all, the sense of responsibility of the times and the sense of crisis in national learning prompted Mr. Zong to form the ideal of building modern Chinese aesthetics on the basis of Chinese classical aesthetics. The present situation of the gap between Chinese and western aesthetics makes Mr Zong adopt the way of absorbing the rational achievements of western aesthetics to promote the transformation and development of Chinese classical aesthetics. Of course, the ultimate realization of the ideal of aesthetic construction is greatly benefited from the combination of Chinese and Western learning, poetic and rational comprehensive ability. It is under such a social and academic background that Mr. Zong has formed his own unique research methods: based on Chinese classical aesthetics and taking western aesthetics as reference. The rational achievement of western aesthetics is internalized in the carding and research of Chinese classical aesthetics to promote the modern transformation process of Chinese classical aesthetics. Secondly, the achievements of Mr. Zong's aesthetic thoughts fully reflect the value and significance of his research methods. This paper probes into the concrete manifestations of Mr. Zong's aesthetic research methods on the basis of several specific problems in his philosophy and aesthetics. In philosophy, Mr. Zong, on the one hand, actively introduces the western philosophical thought, enriches the metaphysical basis of Chinese aesthetics, on the other hand, tries hard to excavate the root of Chinese aesthetics from Chinese philosophy, and constructs a solid philosophical foundation for Chinese aesthetics. In aesthetics, Mr. Zong tries his best to comb the Chinese classical perceptual aesthetics by drawing lessons from the western way of thinking, and reconstructs the concrete thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling, beauty ontology and so on, so as to highlight the life individuality spirit of Chinese aesthetics. Thirdly, Mr. Zong's aesthetic research method is rational, potential, and its value is not easy to be found, but his perceptual style-walking aesthetics style clearly reflects the value and significance of his research method. This paper explores the internal relationship between walking style and research methods, and explores the uniqueness and value of walking style on the basis of its characteristics and significance. Fourthly, aesthetic practice proves that Mr. Zong has provided a classic example for the study of Chinese aesthetics, and his research method is unique and reasonable. In the contemporary era where Chinese and Western cultures are once more harmonious, this research method, because of its outstanding rationality, provides inspiration for the development of Chinese contemporary aesthetics in many aspects.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：B83-092
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，本文編號(hào)：2453868
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