【摘要】：《論語·八佾》提出了兩個(gè)重要的美學(xué)觀點(diǎn):"素以為絢"、"繪事后素"。美術(shù)理論、文藝?yán)碚�、美學(xué)理論對(duì)這兩個(gè)要點(diǎn)的訓(xùn)釋、闡述,尚欠中肯�？鬃雍汀犊脊び洝分兴f的"繪事后素"之"素",強(qiáng)調(diào)的是各種色彩在畫面上的一種整體效果、品位和境界,眾色協(xié)調(diào)統(tǒng)一或多樣統(tǒng)一,達(dá)到一種毫無絢麗、琢飾之感的和諧美,此即"素功":最精善、最上等的繪畫功力。這種美的境界,可以延伸到文學(xué)、藝術(shù)的各個(gè)門類、領(lǐng)域,具有普遍適用性、共同性。
[Abstract]:The eighth Analects of Confucius puts forward two important aesthetic views: "the essence of beauty" and "the post-painting of things". Art theory, literature theory, aesthetic theory to these two main points of instruction, elaboration, is still not relevant. Confucius and the "element after painting" mentioned in the Records of the examiners emphasized the overall effect, grade and realm of various colors on the picture, the harmony and unity of all colors or the unity of diversity, so as to achieve a kind of non-brilliance. The harmonious beauty of the sense of contemplation, this is called "Su Gong": the most excellent, the most superior painting ability. This kind of beauty realm, can extend to the literature, the art each category, the domain, has the universal applicability, the commonality.
【作者單位】： 中國藝術(shù)研究院紅樓夢(mèng)研究所;中國紅樓夢(mèng)學(xué)會(huì);
【分類號(hào)】：B83-092;B222.2
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本文編號(hào)：2435201