【摘要】：在啟蒙話語、現(xiàn)代科學(xué)話語、現(xiàn)代醫(yī)學(xué)話語與藝術(shù)話語,甚至在我們的日常話語中,人的身體作為直觀的視覺符號(hào),往往處于遮蔽與裸露、控制與逃脫的場(chǎng)域中。從古至今,“靈與肉”的碰撞從未停止,越來越多的研究者重回身體維度,探討感性身體與審美心理的諸多話題。在現(xiàn)代身體美學(xué)研究中,無論是杜威的身心自然主義美學(xué),還是舒斯特曼的實(shí)用主義身體美學(xué)等等,似乎都在為身體作為表達(dá)感性的主體自身的權(quán)利伸張合法性。而在現(xiàn)如今的消費(fèi)語境中,可以發(fā)現(xiàn)通過整形這一現(xiàn)代醫(yī)學(xué)手段改造自我身體似乎成為許多人為自己身體做主與表達(dá)自我情感的新途徑,甚至形成了一股新的整形熱潮。在身體美學(xué)的視野下反思整形熱潮,會(huì)發(fā)現(xiàn)許多被遮蔽的問題:部分人群瘋狂迷戀整形,導(dǎo)致心理嚴(yán)重扭曲;個(gè)別整形手術(shù)帶來的悲劇,反而對(duì)身體造成了無法彌補(bǔ)的傷害;此外還有整形所帶來的審美標(biāo)準(zhǔn)的同質(zhì)化等等;這些隨之而來的負(fù)面效應(yīng)不禁讓人對(duì)整形這一行為產(chǎn)生諸多詬病。文章主要由以下四部分組成:第一部分是對(duì)從古至今肉體與靈魂之間交織碰撞的歷史進(jìn)行梳理,同時(shí)將涉及到單純的肉體與展現(xiàn)自我生命的身體之間的關(guān)系以及日常生活中的身體與藝術(shù)創(chuàng)作之中的身體之間的關(guān)系及其區(qū)分,力圖撥開覆蓋在“身體”上的迷霧,明確本文所要討論的身體美學(xué)的范圍;第二部分則回溯身體美學(xué)的理論源頭,對(duì)整形現(xiàn)象的出現(xiàn)及發(fā)展進(jìn)行理論闡釋并解釋其何以產(chǎn)生及何以可能在今日發(fā)展成為潮流;第三部分試圖在當(dāng)前消費(fèi)語境下直面整形與身體意識(shí)表達(dá)的關(guān)系,反思當(dāng)前整形熱潮中過分的身體塑形與身體工具化現(xiàn)象;最后一部分余論將對(duì)日常生活審美化下的身體合理使用給予參考性建議。本文希望能從身體美學(xué)的角度去探討這些具有現(xiàn)實(shí)性意義的問題,在日常生活審美化日益加深的今天,為身體美學(xué)的實(shí)踐性提供可行性建議。
[Abstract]:In enlightening discourse, modern scientific discourse, modern medical discourse and artistic discourse, even in our daily discourse, the human body, as an intuitive visual symbol, is often in the field of obscurity and nudity, control and escape. Since ancient times, the collision between spirit and flesh has never stopped. More and more researchers return to the dimension of body and discuss many topics of perceptual body and aesthetic psychology. In the study of modern body aesthetics, both Dewey's body and mind naturalism aesthetics and Schustroman's pragmatism body aesthetics and so on seem to seek legitimacy for the body as the subject of expressing sensibility. In today's consumer context, it can be found that plastic surgery as a modern medical means to transform the body seems to become a new way for many people to make their own body and express their feelings, and even formed a new wave of plastic surgery. In the view of body aesthetics, many problems will be found: some people are madly infatuated with plastic surgery, leading to serious psychological distortion, the tragedy caused by individual plastic surgery, on the contrary, caused irreparable injuries to the body; In addition, there is the homogeneity of aesthetic standards brought about by plastic surgery, and so on; these negative effects can not help but make people criticize the behavior of plastic surgery. The article is mainly composed of the following four parts: the first part is to sort out the history of the intertwined collision between the body and the soul from ancient times to the present. At the same time, it will involve the relationship between the pure body and the body that shows self life, and the relationship and distinction between the body in daily life and the body in artistic creation, and try to remove the fog that covers the "body". The second part is to trace back to the theoretical source of body aesthetics, explain the emergence and development of plastic phenomena and explain why it came into being and how it may become a trend today. The third part tries to face the relationship between plastic surgery and body consciousness expression in the current consumption context, and reflect on the excessive body shaping and body tool phenomenon in the current plastic upsurge. The last part will give some suggestions for the rational use of the body under the aestheticization of daily life. This paper hopes to probe into these practical problems from the angle of body aesthetics, and to provide feasible suggestions for the practicality of body aesthetics in a day when the aesthetic appreciation of daily life is deepening day by day.
【學(xué)位授予單位】：西南民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：B834

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